been of little use for raising crops, but it made wonderful tile. In its heyday Yarim had produced most of the utilitarian drainage and paving stones that built the great Cymrian cities, as well as the mosaics and ceramic tiles that decorated them. Yarim had adorned itself in the grandest pieces, from the glistening fountainbeds that surrounded the duke's palace to the walls of the Oracle's temple. Even now, in its declining years, with the availability of the water necessary to make it limited, Yarim still produced both tile and pottery for export.
The enormous foundry was the city's largest building outside of the various government facilities and the temple of the Oracle. It stood, partially empty, at the outskirts of the city to the southeast, near the largest interprovince thoroughfare.
Caustic black smoke from the fires that burned night and day hung heavy in the air above and around the building and the nearby streets, making it difficult to breathe, so there were few other buildings, and no residences near it.
When Omet's mother had apprenticed him to the proprietor of the tile-works, she had known full well the life to which she was sentencing her son. The foundry's owner, a diminutive woman of mixed human and Lirin blood by the name of Esten, was known by sight or name or reputation not only through all of the province of Yarim, but west in Canderre and south in Bethe Corbair as well.
Esten's small physical stature was in direct opposition to her social one; publicly she was the owner and operator of Yarim's largest foundry. Even more commonly known was her position as chief of the bloodthirsty Raven's Guild, a coterie of blacksmiths, thugs, and professional thieves that ruled the dark hours in Yarim.
Despite her ferocious reputation, Esten's face was a pretty one, an exotic countenance with angular lines and high cheekbones, probably owing to her Lirin blood. That anyone had even seen it at all was a testament to her status in and of itself, since most women in Yarim took the veil. Most striking of all that face's features were the eyes, dark and inquisitive like that of the bird her guild had been named for. Those eyes always held a hint of amusement, even when they were black with anger, and were more piercing in their stare than an ice pick. Omet had decided at the meeting where he was chosen as an apprentice that he would always avoid their gaze if at all possible. The few seconds he had been the target of it had made him fear he would lose his water onto the floor at her feet. It was of little surprise to him that his mother had not come to visit him once in the five years since then.
For the most part he had managed to avoid Esten's notice. She came every new moon to check the progress of the tunnel, and when she did he made certain he was busy feeding the slave children or stoking the ovens so as to eliminate any encounter but a chance one.
Perhaps his decision to remain away from her notice had been an error in judgment. Ever since Vincane, the new apprentice, had been pulled from the tunnel and promoted to work beside Omet and the others, he had gone out of his way to endear himself to Esten, to curry her favor in a dozen slavish, obvious ways that had turned Omet's stomach. Those antics had seemed to have turned Esten's head as well; now she favored Vincane, brought him small treats and tousled his hair, laughing and teasing him. There was something in Vincane's eyes, something dark and inquisitive that mirrored Esten's own, and it served to place him in a position as her pet.
It was not this favored status that bothered Omet. Rather, it was the cruel streak that Vincane displayed without reprimand, occasionally toward Omet and the other apprentices, but mostly toward the slave children.
For the most part, no one saw much of those children. Food and water were handed down the shaft several times a day, always as a reward for making their quota of clay. Fifty buckets of clay came up, one pail of
Heidi Cullinan
Chloe Neill
Cole Pain
Aurora Rose Lynn
Suzanne Ferrell
Kathryne Kennedy
Anthony Burgess
Mark A. Simmons
Merry Farmer
Tara Fuller