Read Online Delirium: The Complete Collection by Lauren Oliver - Free Book Online Page B
Authors: Lauren Oliver
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Gorgeous, isn’t it? No matter how long I live here I never get used to it.” She turns and looks at me. “I think this is my favorite way to see the ocean. Middle of the afternoon, sunny and bright. It’s just like a photograph. Don’t you think, Lena?”
I’m feeling so relaxed—enjoying the wind at the top of the hill, which sweeps over my arms and legs and makes me feel cool and delicious, enjoying the view of the bay and the high, blinking eye of the sun—I’ve almost forgotten that Alex is with us. He’s been hanging back, standing a few feet behind us, and ever since we came up the hill he hasn’t said a word.
Which is why I nearly jump out of my skin when he leans forward and directs a single word into my ear: “Gray.”
“What?” I whirl around, my heart pounding. Hana has turned back to the water and is going on about wishing she had her camera and how you never seem to have anything you really need. Alex is bent close to me—so close I can see his individual eyelashes, like perfect brushstrokes on a canvas portrait—and now his eyes are literally dancing with light, burning as though on fire.
“What did you say?” I repeat. My voice comes out a croaky whisper.
He leans another inch closer, and it’s like the flames seep out of his eyes and light my whole body on fire. I’ve never been this close to a boy before. I feel like fainting and running all at the same time. But I can’t move.
“I said, I prefer the ocean when it’s gray. Or not really gray. A pale, in-between color. It reminds me of waiting for something good to happen.”
He does remember. He was there. The ground seems to be dissolving under my feet the way it does in the dream about my mother. All I can see are his eyes, the shifting pattern of shadow and light turning there.
“You lied,” I manage to croak out. “Why did you lie?”
He doesn’t answer me. He pulls away a few inches and says, “Of course it’s even prettier at sunset. Around eight thirty the sky looks like it’s on fire, especially at Back Cove. You should really see it.” He pauses, and though his voice is low and casual I get the feeling he’s trying to tell me something important. “Tonight it will probably be amazing.”
My brain grinds into action, slowly processing his words, the way he’s emphasizing certain details. Then it clicks: He has given me a time and a place. He’s telling me to meet him. “Are you asking me to—?” I start to say, but just then Hana runs back up to me, grabbing my arm.
“God,” she says, laughing. “Can you believe it’s after five already? We’ve got to go .” She’s dragging me backward before I can respond or protest, and by the time I think to look over my shoulder to see if Alex is watching or giving me any kind of sign, he has disappeared from view.
Chapter Six
Mama, Mama, help me get home
I’m out in the woods, I am out on my own.
I found me a werewolf, a nasty old mutt
It showed me its teeth and went straight for my gut.
Mama, Mama, help me get home
I’m out in the woods, I am out on my own.
I was stopped by a vampire, a rotting old wreck
It showed me its teeth, and went straight for my neck.
Mama, Mama, put me to bed
I won’t make it home, I’m already half-dead.
I met an Invalid, and fell for his art
He showed me his smile, and went straight for my heart. —From “A Child’s Walk Home,” Nursery Rhymes
and Folk Tales , edited by Cory Levinson
T hat evening I can’t concentrate. When I’m setting the table for dinner, I accidentally pour wine in Gracie’s juice cup and orange juice in my uncle’s wineglass, and while I’m grating cheese I catch my knuckles so many times in the teeth of the grater my aunt finally sends me out of the kitchen, saying she’d prefer not to have a topping of skin for her ravioli. I can’t stop thinking about the last thing Alex said to me, the endlessly shifting pattern of his eyes, the strange expression on his face—like he was inviting me.
I’m feeling so relaxed—enjoying the wind at the top of the hill, which sweeps over my arms and legs and makes me feel cool and delicious, enjoying the view of the bay and the high, blinking eye of the sun—I’ve almost forgotten that Alex is with us. He’s been hanging back, standing a few feet behind us, and ever since we came up the hill he hasn’t said a word.
Which is why I nearly jump out of my skin when he leans forward and directs a single word into my ear: “Gray.”
“What?” I whirl around, my heart pounding. Hana has turned back to the water and is going on about wishing she had her camera and how you never seem to have anything you really need. Alex is bent close to me—so close I can see his individual eyelashes, like perfect brushstrokes on a canvas portrait—and now his eyes are literally dancing with light, burning as though on fire.
“What did you say?” I repeat. My voice comes out a croaky whisper.
He leans another inch closer, and it’s like the flames seep out of his eyes and light my whole body on fire. I’ve never been this close to a boy before. I feel like fainting and running all at the same time. But I can’t move.
“I said, I prefer the ocean when it’s gray. Or not really gray. A pale, in-between color. It reminds me of waiting for something good to happen.”
He does remember. He was there. The ground seems to be dissolving under my feet the way it does in the dream about my mother. All I can see are his eyes, the shifting pattern of shadow and light turning there.
“You lied,” I manage to croak out. “Why did you lie?”
He doesn’t answer me. He pulls away a few inches and says, “Of course it’s even prettier at sunset. Around eight thirty the sky looks like it’s on fire, especially at Back Cove. You should really see it.” He pauses, and though his voice is low and casual I get the feeling he’s trying to tell me something important. “Tonight it will probably be amazing.”
My brain grinds into action, slowly processing his words, the way he’s emphasizing certain details. Then it clicks: He has given me a time and a place. He’s telling me to meet him. “Are you asking me to—?” I start to say, but just then Hana runs back up to me, grabbing my arm.
“God,” she says, laughing. “Can you believe it’s after five already? We’ve got to go .” She’s dragging me backward before I can respond or protest, and by the time I think to look over my shoulder to see if Alex is watching or giving me any kind of sign, he has disappeared from view.
Chapter Six
Mama, Mama, help me get home
I’m out in the woods, I am out on my own.
I found me a werewolf, a nasty old mutt
It showed me its teeth and went straight for my gut.
Mama, Mama, help me get home
I’m out in the woods, I am out on my own.
I was stopped by a vampire, a rotting old wreck
It showed me its teeth, and went straight for my neck.
Mama, Mama, put me to bed
I won’t make it home, I’m already half-dead.
I met an Invalid, and fell for his art
He showed me his smile, and went straight for my heart. —From “A Child’s Walk Home,” Nursery Rhymes
and Folk Tales , edited by Cory Levinson
T hat evening I can’t concentrate. When I’m setting the table for dinner, I accidentally pour wine in Gracie’s juice cup and orange juice in my uncle’s wineglass, and while I’m grating cheese I catch my knuckles so many times in the teeth of the grater my aunt finally sends me out of the kitchen, saying she’d prefer not to have a topping of skin for her ravioli. I can’t stop thinking about the last thing Alex said to me, the endlessly shifting pattern of his eyes, the strange expression on his face—like he was inviting me.
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