Death Song

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Authors: Michael McGarrity
Tags: Kevin Kerney
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Kerney.
    “Ten-to-one odds says we can call off the search as soon as Mielke brings those bolt cutters,” Kerney said.
    Ramona shook her head. “I learned a long time ago never to bet against you, Chief.”
    Mielke returned, snapped the locks with the bolt cutters, and swung open the doors. Inside one of the trailer stalls was the rigid body of a woman facedown on a bed of blood-soaked straw.
    “Okay,” Kerney said as he exhaled and turned to Mielke. “You’d better get your bosses over here pronto.”
    “Yeah,” Mielke replied.

Chapter Three
     
    The discovery of the body set off a chain of procedural events common to all murder investigations. Kerney backed off so Ramona Pino and Don Mielke could work without his interference, and informed Sheriff Salgado about the unidentified female victim.
    By radio, Salgado got the word out to the searchers and asked them to suspend operations and maintain their positions until a positive ID could be made. Kerney took Salgado and his chief deputy, Leonard Jessup, to the horse trailer, which had already been cordoned off, and from behind the police line the three men watched as Mielke and Pino established a wider crime scene perimeter.
    After roping off a larger area that extended from the tack room to the horse trailer, they began documenting and processing the scene. Mielke photographed the body as it lay, leaving it untouched and unmoved. Although it was highly likely the dead woman was Denise Riley, protocol required the body remain as it had been found until the medical investigator arrived.
    Mielke moved on to photograph the horse trailer, the drag marks in the dirt, and the interior of the tack room, while Ramona Pino inspected the victim and made a list of the woman’s clothing, which included notations of the condition of the garments and any visible damage and stains. The woman’s jeans barely covered her buttocks, and flecks of straw adhered to exposed skin at the small of her back.
    Ramona wondered if the woman’s jeans had been rearranged by the perpetrator. If so, it signaled that the killer probably knew the victim. She made a closer visual inspection of the victim’s exposed right forearm and left hand and saw what appeared to be bruising—quite possibly defensive wounds. Had the crime started out as a sexual assault and escalated to murder?
    She wrote down her observations and speculations, drew a rough sketch of the body in relation to the corral and tack room, measured off all distances, and then began a search for trace evidence on the surfaces of the horse trailer.
    When the MI arrived and declared the victim dead, the body was turned faceup and two facts became readily apparent. First, comparison with the driver’s license photo Ramona had found in the purse inside the double-wide showed that the dead woman was indeed Denise Riley. Second, her throat had been cut.
    Salgado promptly called off the search and released all off-duty and nonessential personnel who had volunteered their time. As the searchers returned to the staging area and quietly began to disperse, Kerney, Salgado, and Jessup thanked each of them personally for coming out. The three men silently watched as the searchers loaded gear and equipment into their police units and emergency vehicles and left the area in a line of cars that stretched the length of the long dirt driveway.
    As the last vehicle turned onto the county road, Sheriff Luciano Salgado turned to Kerney. “Are you going to tell Helen Muiz?” he asked.
    “I’ll go over to her house right now,” Kerney replied.
    “Let her know that I’ll be in touch with her real soon,” Salgado said.
    “Maybe you’ll have some answers for her by then.”
    “God, I hope so,” Salgado replied with a sigh. “How long can I use Sergeant Pino and your detectives?”
    “As long as you need them,” Kerney replied, thinking it was unlikely that the two separate homicides of Riley and his wife would be cleared anytime

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