hardly worth her opening her mouth for, and to her dismay, Mrs. Spatz asked âWhat?â and she had to repeat the entire sentence. Mrs. Spatz asked again, âWhat?â At that moment, however, steps could be heard in the outside foyer. The door opened, and Mr. Spinell came into the room.
âAm I disturbing?â he asked softly, still on the threshold, looking exclusively at Mr. Klöterjahnâs wife and bowing at the waist in a kind of gentle, hovering way . . . The young woman answered:
âOh, why, not at all! In the first place this room is a designated open port, Mr. Spinell, and secondly, thereâs nothing to disturb. I have the distinct impression Iâm boring Mrs. Spatz . . .â
He had nothing to say to this, so he smiled instead, baring his decayed teeth, and under the eyes of the ladies walked over to the glass door, his steps extremely self-conscious. There he stopped and stared outside withhis back rather impolitely toward them. Then he turned halfway around, continuing to stare out into the garden, and said:
âThe sun has disappeared. The sky has clouded over little by little. Itâs already beginning to get dark.â
âYes, there are shadows everywhere,â answered Mr. Klöterjahnâs wife. âIt seems our sleigh riders will get their snow after all. Yesterday at this time it was still broad daylight, but today itâs already getting dark.â
âOh,â he said, âafter the extreme brightness of these past weeks, the darkness is good for the eyes. Iâm almost grateful to this sun, which lights up the beautiful and vulgar with the same obtrusive clarity, for finally hiding its face a bit.â
âYouâre not fond of the sun, Mr. Spinell?â
âWell, Iâm not a painter . . . People turn inward in the absence of sun. â Thereâs a thick pale gray line of clouds. Perhaps that means a thaw tomorrow. In any case, I wouldnât recommend straining your eyes on your needlepoint all the way over there, madam.â
âOh, donât worry. Iâm in no danger of that. But what is there to do?â
He had sat down on the rotating stool in front of the piano, one arm resting on the instrumentâs lid.
âMusic . . .â he said. âIf only we had some music now! Sometimes the English children sing little Negro songs, but thatâs about it.â
âYesterday afternoon Miss von Osterloh thrashed her way through âThe Monastery Bells,ââ Mr. Klöterjahnâs wife remarked.
âBut you play, madam,â he said in a pleading tone, standing up . . . âYou used to play duets every day with your father.â
âYes, Mr. Spinell, but that was then. In the days of the fountain, you know . . .â
âDo it now!â he requested. âPlay a few bars just this once! If you only knew how I long . . .â
âBoth our family doctor and Dr. Leander have expressly forbidden it, Mr. Spinell.â
âTheyâre not here, either of them! Weâre free . . . Youâre free, madam. A few meager chords . . .â
âNo, Mr. Spinell, you wonât get anywhere with that. Who knows what kind of miracles you expect from me! Iâve forgotten everything, believe me. Thereâs hardly a thing I still know by heart.â
âOh, then just play this âhardly a thingâ! And besides, thereâs some sheet music here somewhere. Here it is, on top of the piano. No, this is nothing. But hereâs some Chopin . . .â
âChopin?â
âYes, the nocturnes. The only thing left is for me to light the candles . . .â
âDonât get the idea Iâm going to play, Mr. Spinell! Iâm not allowed to. What if it damages my health?â â
He fell silent. He stood with his immense feet, his long black jacket and his
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