the family, in the dry cleanerâs van.â
âBut on Tuesday morning she came in by the front door, and didnât see a thing. Meanwhile, Miss Ridgeman was helping you in the kitchen. What time was it when you asked her to come in and lend a hand?â
âItâs not for me to call a nurse away from a child. Nobody can say I did a thing like that.â
âOf course not. I mean, what time did she come?â
âIt was after twelve when she looked in on me and saw the dishes from the top shelf of the pantry waiting to be washed, and the vegetables wilting in their skins. âAnnie,â she says, âyouâll kill your knee entirely,â she says. And not a step did she take out of the kitchen until the doorbell rang and the company came. It was kind of the woman, tired as she had a right to be herself, with cleaning the upstairs.â
At this moment a nurse in a white uniform appeared in the hall above, holding a little girl by the hand.
âGood morning, Miss Ridgeman,â said Mitchell. âI hear the familyâs been delayed.â
âA little.â She came down, the little girl eagerly stepping from stair to stair beside her. âTheyâll be here any minute now, and I know Mr. George Bartram will want to see you, even if Mr. Bartram isnât up to it yet.â
Annie disappeared through a baize door at the end of the long hall, and Miss Ridgeman assisted her charge down the rest of the stairway. Mitchell introduced Gamadge, who shook hands gravely with the nurse and with Miss Irma Bartram. The latter swung on Miss Ridgemanâs hand in a carefree manner; she was a jolly-looking little girl, with thick, curly brown hair and round brown eyes, whose short white dress and blue jumper gave her the appearance of being about seven eighths leg. Miss Ridgeman was a square-built, rather homely woman, darkish in coloring, with a face and manner that expressed practical common sense. This had been overlaid at the moment by a dryness and constraint that might well have been the effects of a great shock. Even her voice was subdued, as she said:
âCome into the sitting room. I should like very much to talk to you, and Irma can play chess. Canât you, Irma?â
Irma nodded, and ran into the sitting room ahead of them. She skipped to a low table at the farther end of the long parlor, and opened a rosewood box. From it she began to take out big red-and-white carved ivory chessmen, which she ranged in two rows.
Miss Ridgeman led the two men to a bay window overlooking the front garden.
âItâs just as well that we have young company with us at present,â she said, in that dry, strained voice. âWe have to pretend to be cheerful, and thatâs just what we all need.â
âYouâve been fine, Miss Ridgeman,â said Mitchell. âIâll have to hand it to you.â
âFine?â The nurseâs face hardened. âThatâs hardly the word to describe my behavior, Iâm afraid. If I can help them in any way now, Iâm thankful for the chance.â
âDonât feel that way. I wish youâd tell me something; is that old cook of yours all right in the head?â
âAnnie? Oh, yes. Itâs been a frightful shock to her, thatâs all. Has she been telling you thereâs a curse on the place?â
âYes, she has.â
âNobody can quite make out what she means. I suppose you could call what happened a curse.â
âBut she donât know what really did happen, you think?â
âAbsolutely not. She never notices what goes on. I wanted to ask you if youâd had any newsâabout that little gypsy boy, for instance.â
âNo news about him at all.â
âI do hope they can prove that he wasnât responsible. Doctor Loring and I want Mr. Bartram to take him.â
Mitchell was astonished. âTake him?â
âYes.â
âFor good, you
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