Dead Town

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cycle?” Mr. Lyss asked.
    There wasn’t any kind of cycle in the kitchen, not a bicycle or a tricycle, or a motorcycle. Nummy didn’t know how to answer the old man’s question, and he didn’t want to be snarled at again and told that he was dumb. They both knew he was dumb, he always had been, so neither of them needed to be reminded of it all the time. Nummy kept silent.
    As Mr. Lyss returned the silver-bead gun to the table where he’d found it, piano music rose from the living room. The Boze had a piano. He called it an upright, so Nummy figured it originally must have been in a church or somewhere clean and holy like that, not in some barroom. Kiku played the upright, and she taught the Boze to play it, but neither of them could be playing it now, both being dead.
    “Let’s get out of here,” Nummy said.
    “No. We’re in it now, boy.” The old man raised his long gun. “Cowardice is often a fine thing, but there’s times when it can get you killed.”
    Mr. Lyss went to the hallway door, which stood open. He found the light switch, and the dark hall brightened.
    As Mr. Lyss stepped out of the kitchen, Nummy decided it was scarier to be alone with a dead person than it was to go see who was at the piano. He followed the old man.
    The music was pretty but sad.
    At the end of the hall, the living room remained dark. Nummy wondered how anyone could play a piano so well in total darkness.

chapter 11
    Sammy Chakrabarty never stood around waiting for someone else to get things done. He was always moving, doing, thinking, dealing with the task of the moment but simultaneously planning ahead. He stood five ten, weighed only 130 pounds, ate enough for two men, but couldn’t gain an ounce because he was so active and his metabolism was always revving.
    He had been helping to adapt the current broadcast to the failure of all phone service and Internet access, which seemed to be a crisis when it happened in the middle of a talk show. Now it wasn’t a crisis anymore, wasn’t even a problem, considering that two men had just been killed, men or something passing for men, and KBOW had plunged into the Twilight Zone.
    Sammy ran from the engineer’s control room to the kitchenette, which featured a refrigerator, microwaveoven, ice-maker, and coffee machine. Sammy yanked open the cabinet drawer that contained flatware and various utensils, including a few knives, and he selected the biggest and sharpest blade.
    At twenty-three, Sammy was already the radio station’s program director, promotion director, and community-affairs director. He lived in an inexpensive two-room apartment, drove an ancient Honda, and invested half his after-tax income, doing his own online stock trading with considerable success. His plan was to become general manager by the age of twenty-six, purchase KBOW by the time he was twenty-nine, and use it as a platform to develop groundbreaking programming that might have enough appeal to be syndicated across the country.
    The extraordinary events of the past few minutes might have ramifications that would set back his plan as much as a year, perhaps even eighteen months. But Sammy Chakrabarty could not conceive of any circumstances that might delay him longer than that or thwart him altogether.
    Carrying the knife, he hurried back through the building toward the engineer’s nest, where the station personnel and the giant with the half-smashed face, who called himself Deucalion, stood over the bodies that looked like Warren and Andy Snyder but perhaps were not.
    Ralph Nettles, their engineer, was a rock-solid guy, known for his reliability, truthfulness, and common sense. So it must be true that Warren and Andy hadtried to kill him, that this tattooed stranger saved his life and was their ally, and that pale blue vapor gushed from Warren’s nostrils during his death throes, as though he might be less a man than a machine in which some reservoir of coolant had been ruptured. It must be true, but

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