Dead Man's Grip

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Authors: Peter James
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to Inspector this year. He had the ability and he possessed that most essential quality for all good coppers: a high degree of emotional intelligence. If he could just lift his friend out of his screwed-up mental state over his marriage, he was convinced he could get him there.
    The mid-morning Brighton traffic was light and the rain had eased to a thin drizzle. Portland Road, with its shops and cafés, surrounded by large residential areas, was normally busy at most times of the day and night, but as Grace turned the silver Ford Focus into it, it was as quiet as a ghost town. A short distance ahead he saw a Road Policing Unit BMW estate parked sideways in the middle of the road, with crime scene tape beyond it, a uniformed PCSO scene guard with his log and a gaggle of rubberneckers, some snapping away with cameras and phones.
    Beyond the tape was a hive of quiet, businesslike activity. He saw a large articulated lorry, its rear section screened off by a green tarpaulin. A black Audi convertible on the opposite side of the road against a café wall. A fire engine and the dark green coroner’s van, beside which he noticed the slim, youthful figure of Darren Wallace, Cleo’s Assistant Anatomical Pathology Technician, as the deputy chief mortician was known, and his colleague, Walter Hordern, a dapper, courteous man in his mid-forties. Both were smartly dressed in anoraks over their white shirts, black ties, black trousers and black shoes.
    Further along was another tape across the road, a scene guard and another RPU vehicle parked sideways, with more rubberneckers just beyond. Alongside it were a VOSA – a Vehicle and Operator Services Agency – inspection van and a Collision Investigation Unit van.
    He saw several police officers he recognized, including the uniformed Road Policing Unit Inspector, James Biggs, and a SOCO photographer, James Gartrell, working away methodically. Some of them were combing the road and one senior Road Collision Investigation Unit officer he knew well, Colin O’Neill, was walking the area and taking notes, while talking to Glenn Branson, to Tracy Stocker, the Major Crime Branch Crime Scene Manager, and to the Coroner’s Officer, Philip Keay. Unlike at most crime scenes, none of those present was wearing protective suits and overshoes. RTC sites were generally considered already too contaminated.
    A buckled bicycle lay on the road, with a numbered yellow crime scene marker beside it. There was another marker next to some debris that looked like a broken bicycle lamp. A short distance behind the lorry he saw a fluorescent jacket covering something, with another marker beside that. More markers were dotted around.
    Before he had a chance to hail Branson, suddenly, materializing out of the ether, as he seemed to do at every crime scene Grace attended these days, was Kevin Spinella, the young crime reporter from the local paper, the
Argus
. In his mid-twenties, with bright eyes and a thin face, he was chewing gum with small, sharp teeth that always reminded Grace of a rat. His short hair was matted to his head by the rain and he was wearing a dark mackintosh with the collar turned up, a loud tie with a massive knot and tasselled loafers.
    ‘Good morning, Detective Superintendent!’ he said. ‘A bit nasty, isn’t it?’
    ‘The weather?’ Grace said.
    Spinella grinned, making a curious movement with his jaw, as if a piece of gum had got stuck in the wrong place.
    ‘Na! You know what I’m talking about. Sounds like it could be a murder from what I hear – is that what you think?’
    Grace was guarded, but tried to avoid being openly rude to the man. The police needed the local media on their side as they could be immensely useful. But equally, he knew, they could at times bite you hard and painfully.
    ‘You tell me. I’ve only just arrived, so you probably know more than I do.’
    ‘Witnesses I’ve spoken to are talking about a white van that went through a red light and hit the cyclist,

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