she's gone. Why? Why does she bother you. She's
a good soul, really, a treasure."
Once again Giles glazed over. "She's got . . . it's just her . . ." Giles was going to say "false teeth." He had been : present when Mrs. Fry sneezed out her dentures onto the draining board and laboriously reinserted them; since then he was subject to dizzy spells and retching fits whenever he saw her.
"Come on, Giles," said Quentin. "My friends have brought something that'll make you feel better. Everything will soon be all right. Come."
Giles looked around as if for the last time at his empty room, sniffed, gave Quentin a zestless smile, and moved with awkward caution out of the door.
14: OUT Here somewhere
"We can't go in there," he said.
"Why not?" asked Diana.
"Just look at that." Giles pointed to a large sign which stuck out at an angle from the barbed-wire fence. The sign had this to say:
FUCK OFF
TRESPASSERS WILL BE PROSECUTED
"What about it?"
"It says," Giles explained, as if Diana might only recently have learned to read, " 'trespassers will be prosecuted.'"
"So?"
"Relax, Giles," said Quentin. "I know the man who owns this spread. Oofie Worthington. He said I could use it any time."
"Really, darling?" said Celia. "I didn't know you—"
"What about that barbed wire, then?" said Giles, abruptly taking a step backward and fastening a hand over his mouth.
"No problem," said Skip. The three Americans had loomed up on them. "I just hold it ... right here, and—hey, man, handle the other thing, okay?" Stamping their boots on the lower wire, Skip and Marvell elevated the upper one with their hands. Marvell grunted and winced a good deal while he was doing this but Skip's small, boyish face remained blank, almost dead. "Okay," he droned at last.
(Unnecessarily—buckling his body, the hamper in his arms) Whitehead went first. One by one the girls followed. Quentin and Andy steered the twitchy Giles through, ferried the alcohol across, then hoisted Skip and Marvell over.
Quentin Villiers hastened to help unfurl the blankets with his wife. They kissed fleetingly and crouched to open the hamper.
"Is everyone going to eat now?" asked Giles vaguely, raising the gin bottle to his lips. "Because I think I shall just drink a lot instead, in fact."
At this juncture Skip paced up to Giles and grasped his free hand. "Hi, Giles," he said in his monotone bass. "I'm Skip."
Skip was showered with a spray of high-octane saliva as Giles gurgingly removed the gin bottle and tottered backward, arms lifted to protect his face. "Careful! Uh, sorry . . . Skip? I just didn't see you coming. My name's—" Giles sank to his knees. "Actually . . ." he said.
Now, in a complicated semi-embrace, Quentin, Celia, Marvell, and Roxeanne moved away from the picnic site the better to admire its surrounds. "I like it," said Marvell, attaching tufted hands to either hip. He let his eyes scan the curved field with the kneeling willow in the middle of it, the sturdier file of birches that lined the distant fence, the far hill, the sky. "I like this planet."
"Beautiful," said Roxeanne. "Beautiful, Quentin, truly."
"When we married," said Quentin, "I said that we should have to live out here somewhere." He turned to his wife, "Somewhere where there was still some England."
"Yeah," said Marvell.
"It's not a question of rapport with nature—what a horrid idea that is!—rather, a question of solidifying one's sense of oneself. I'm an Englishman. This is England. There's nothing English about London any more."
Celia and Roxeanne gazed up at Quentin with joy and wonder respectively. Indeed, Villiers' extraterrestrial good looks were very much in evidence that day. His frostily faded jeans and revealing denim shirt contrived to make him appear at once rugged and civilized; his damp-sand complexion contrasted favorably with the etiolated pallor of his housemates and the rather coarse suntans of the Americans; the gusty breeze curled but did not tousle the strands of his silvery blond
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