Read Online Dave Barry's Book of Bad Songs (Backlist eBook Program) by Dave Barry - Free Book Online Page A
Authors: Dave Barry
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Excerpts from “Running Bear” first appearing at page 74, written by J.P. Richardson, believed to be owned by Polygram International Publishing.
Excerpts from “All Shook Up” first appearing at page 59, written by Otis Blackwell and Elvis Presley, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Baby Don’t Get Hooked on Me” first appearing at page 33, written by Mac Davis, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Bird’s The Word” first appearing at page 14, written by Al Frazier, Carl White, Turner Wilson, Jr. and John Harris, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Bobby’s Girl” first appearing at page 32, written by Henry Joffman and Gary Klein, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Diary” first appearing at page 52, written by David Gates, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Don’t Say Nothin’ Bad” first appearing at page 68, written by Gerry Goffin and Carole King, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Dreams of the Everyday Housewife” first appearing at page 6, written by Chris Gantry, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Girls Grow Up Faster Than Boys” first appearing at page 67, written by Gerry Goffin and Jack Keller, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “He Hit Me (And It Felt Like a Kiss)” first appearing at page 65, written by Gerry Goffin and Carol King, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “If” first appearing at page 52, written by David Gates, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Leader of the Pack” first appearing at page 73, written by George Morton, Jeff Barry and Ellie Grenwich, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “My Way” first appearing at page 23, written by Paul Anka, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “The Name Game” first appearing at page 12, written by Shirley Elliston and Lincoln Chase, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Papa Oom Mow Mow” first appearing at page 14, written by Al Frazier, Carl White, Turner Wilson and John Harris, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Patches” first appearing at page 73, written by Barry Mann and Larry Kolber, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Physical” first appearing at page 33, written by Stephen Kipner and Terry Shaddick, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Tonight’s the Night” first appearing at page 56, written by Rod Stewart, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Treat Her Like A Lady” first appearing at page 67, written by Eddie Cornelius, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “We Gotta Get You A Woman” first appearing at page 66, written by Todd Rundgren, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Sometimes When We Touch” first appearing at page 48, written by Dan Hill, believed to be owned by Sony ATV Songs LLC.
Excerpts from “Judy’s Turn To Cry” first appearing at page 65, written by Edna Lewis and Beverly Ross, believed to be owned by Sony ATV Songs LLC.
Excerpts from “Muskrat Love” first appearing at page xviii, written by Willis Alan Ramsey, believed to be owned by Wishbone Music.
Excerpts from “Elusive Butterfly” first appearing at page 49, written by Bob Lind, believed to be owned by EMI Music Publishing.
Excerpts from “When the Red Red Robin Comes...” first apperaing at page 33, written by Harry M. Woods, believed to be owned by Bourne Company and The Songwriters Guild.
Dave
Excerpts from “Running Bear” first appearing at page 74, written by J.P. Richardson, believed to be owned by Polygram International Publishing.
Excerpts from “All Shook Up” first appearing at page 59, written by Otis Blackwell and Elvis Presley, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Baby Don’t Get Hooked on Me” first appearing at page 33, written by Mac Davis, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Bird’s The Word” first appearing at page 14, written by Al Frazier, Carl White, Turner Wilson, Jr. and John Harris, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Bobby’s Girl” first appearing at page 32, written by Henry Joffman and Gary Klein, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Diary” first appearing at page 52, written by David Gates, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Don’t Say Nothin’ Bad” first appearing at page 68, written by Gerry Goffin and Carole King, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Dreams of the Everyday Housewife” first appearing at page 6, written by Chris Gantry, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Girls Grow Up Faster Than Boys” first appearing at page 67, written by Gerry Goffin and Jack Keller, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “He Hit Me (And It Felt Like a Kiss)” first appearing at page 65, written by Gerry Goffin and Carol King, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “If” first appearing at page 52, written by David Gates, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Leader of the Pack” first appearing at page 73, written by George Morton, Jeff Barry and Ellie Grenwich, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “My Way” first appearing at page 23, written by Paul Anka, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “The Name Game” first appearing at page 12, written by Shirley Elliston and Lincoln Chase, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Papa Oom Mow Mow” first appearing at page 14, written by Al Frazier, Carl White, Turner Wilson and John Harris, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Patches” first appearing at page 73, written by Barry Mann and Larry Kolber, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Physical” first appearing at page 33, written by Stephen Kipner and Terry Shaddick, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Tonight’s the Night” first appearing at page 56, written by Rod Stewart, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Treat Her Like A Lady” first appearing at page 67, written by Eddie Cornelius, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “We Gotta Get You A Woman” first appearing at page 66, written by Todd Rundgren, believed to be owned by Screen Gems/EMI Music Publishing.
Excerpts from “Sometimes When We Touch” first appearing at page 48, written by Dan Hill, believed to be owned by Sony ATV Songs LLC.
Excerpts from “Judy’s Turn To Cry” first appearing at page 65, written by Edna Lewis and Beverly Ross, believed to be owned by Sony ATV Songs LLC.
Excerpts from “Muskrat Love” first appearing at page xviii, written by Willis Alan Ramsey, believed to be owned by Wishbone Music.
Excerpts from “Elusive Butterfly” first appearing at page 49, written by Bob Lind, believed to be owned by EMI Music Publishing.
Excerpts from “When the Red Red Robin Comes...” first apperaing at page 33, written by Harry M. Woods, believed to be owned by Bourne Company and The Songwriters Guild.
Dave
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