sounded sucky, but sometimes it helped, if anything could.
That gave him an idea. Picking up the bagged teddy bear, Mitchell walked back across the street to the Valdez house. The moment he got inside, he regretted his impulse. Kelly Shelden started in on him again without even pausing for breath.
“One of the detectives will be along to take your statement real soon,” Mitchell told her. “You just wait here till they get here. Don’t want to have to tell it all twice, right?”
He pushed the plastic-wrapped package into her arms. Kelly Shelden broke off in midsentence, staring with amazement at the floppy-eared teddy bear.
“For your little boy,” Mitchell explained. “Help him get over the shock.”
“My boy?” queried the woman. “How do you mean? Chuck and I don’t have any kids.”
She sounded indignant, as though Mitchell should have known this. He looked at the boy, who was sitting absolutely still on the sofa, legs clenched together, arms crossed. His eyes, dry now, stared blankly out over a comic book Mrs. Valdez had given him to read.
“I thought …” Mitchell began.
“Jamie?” Kelly Shelden cut in. “I told you. He lived there! He was there when it happened! He saw everything!”
A N HOUR LATER , Kristine Kjarstad had the familiar feeling that she’d exhausted the immediate possibilities of the situation. When Alex Mitchell returned to tell her there was a material witness across the street, she’d dropped everything and gone to interview him, leaving Steve Warren to handle the scene-of-crime notes. This involved marking, measuring and recording every conceivable physical detail, relevant or not, just in case some smart-ass defense lawyer tried to throw doubt on the prosecution case by pointing out to the jury that the police didn’t appear to have noticed whether or not the windows had been washed recently, so how could their testimony in other respects be credible? It was the kind of thing that Steve Warren could be trusted to handle well, and she was happy to leave it in his hands.
Before Kristine Kjarstad could speak to the boy, she had to listen to the Shelden woman’s version of events. This was of no particular interest to her, but Kjarstad had no desire to antagonize anyone at this stage, particularly a witness who was clearly in shock. It took her the best part of thirty minutes—it felt more like ninety—to sift the facts of the story out of a mass of confused and repetitive responses. The root of the problem was that instead of calling 911 herself, Kelly Shelden had called her husband.
This is after she gets to the house and finds Dawn Sullivan lying face down on the floor. She has no idea what’s happened or what to do about it, and Jamie just sits there howling, so she calls Chuck at work, who calls Emergency. He knows all about the Sullivans, of course, so he naturally assumes that Wayne and Dawn have been duking it out again, which is why the call went out as a domestic.
Once she’d got that straightened out, Kristine Kjarstad spent another five minutes getting Mrs. Shelden out of her hair so that she could talk to the boy. She tried everything she knew, not just from training but from her own experience with her son Thomas, who was about the same age. She talked about Mr. and Mrs. Valdez, about Jamie’s clothes, about his new toy, about anything except the horrors he had allegedly witnessed. She tried to get him to look at her, to address a single word to her—any word.
And she failed. Jamie just sat there, hugging the bear listlessly and gazing into space. She might as well have been speaking a foreign language. She might as well not have been there. To all intents and purposes she wasn’t. Jamie was alone at the epicenter of a psychic blast which had wiped out all life in the vicinity. It would take rescue workers days if not weeks to get through to him. The question was what to do with him until then.
A confusing session with the attention-seeking Kelly
That gave him an idea. Picking up the bagged teddy bear, Mitchell walked back across the street to the Valdez house. The moment he got inside, he regretted his impulse. Kelly Shelden started in on him again without even pausing for breath.
“One of the detectives will be along to take your statement real soon,” Mitchell told her. “You just wait here till they get here. Don’t want to have to tell it all twice, right?”
He pushed the plastic-wrapped package into her arms. Kelly Shelden broke off in midsentence, staring with amazement at the floppy-eared teddy bear.
“For your little boy,” Mitchell explained. “Help him get over the shock.”
“My boy?” queried the woman. “How do you mean? Chuck and I don’t have any kids.”
She sounded indignant, as though Mitchell should have known this. He looked at the boy, who was sitting absolutely still on the sofa, legs clenched together, arms crossed. His eyes, dry now, stared blankly out over a comic book Mrs. Valdez had given him to read.
“I thought …” Mitchell began.
“Jamie?” Kelly Shelden cut in. “I told you. He lived there! He was there when it happened! He saw everything!”
A N HOUR LATER , Kristine Kjarstad had the familiar feeling that she’d exhausted the immediate possibilities of the situation. When Alex Mitchell returned to tell her there was a material witness across the street, she’d dropped everything and gone to interview him, leaving Steve Warren to handle the scene-of-crime notes. This involved marking, measuring and recording every conceivable physical detail, relevant or not, just in case some smart-ass defense lawyer tried to throw doubt on the prosecution case by pointing out to the jury that the police didn’t appear to have noticed whether or not the windows had been washed recently, so how could their testimony in other respects be credible? It was the kind of thing that Steve Warren could be trusted to handle well, and she was happy to leave it in his hands.
Before Kristine Kjarstad could speak to the boy, she had to listen to the Shelden woman’s version of events. This was of no particular interest to her, but Kjarstad had no desire to antagonize anyone at this stage, particularly a witness who was clearly in shock. It took her the best part of thirty minutes—it felt more like ninety—to sift the facts of the story out of a mass of confused and repetitive responses. The root of the problem was that instead of calling 911 herself, Kelly Shelden had called her husband.
This is after she gets to the house and finds Dawn Sullivan lying face down on the floor. She has no idea what’s happened or what to do about it, and Jamie just sits there howling, so she calls Chuck at work, who calls Emergency. He knows all about the Sullivans, of course, so he naturally assumes that Wayne and Dawn have been duking it out again, which is why the call went out as a domestic.
Once she’d got that straightened out, Kristine Kjarstad spent another five minutes getting Mrs. Shelden out of her hair so that she could talk to the boy. She tried everything she knew, not just from training but from her own experience with her son Thomas, who was about the same age. She talked about Mr. and Mrs. Valdez, about Jamie’s clothes, about his new toy, about anything except the horrors he had allegedly witnessed. She tried to get him to look at her, to address a single word to her—any word.
And she failed. Jamie just sat there, hugging the bear listlessly and gazing into space. She might as well have been speaking a foreign language. She might as well not have been there. To all intents and purposes she wasn’t. Jamie was alone at the epicenter of a psychic blast which had wiped out all life in the vicinity. It would take rescue workers days if not weeks to get through to him. The question was what to do with him until then.
A confusing session with the attention-seeking Kelly
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