D Is for Deadbeat

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Authors: Sue Grafton
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slicker and an umbrella. I left my warm apartment behind and drove over to Billy Polo's old address on Merced. It was 4:15 and getting prematurely dark. The neighborhood had probably been charming once, but it was gradually being overtaken by apartment buildings and was now no more than a hapless mix of the down-at-the-heel and the bland. The little gingerbread structures were wedged between three-story stucco boxes with tenant parking underneath and everywhere there was evidence of the same tasteless disregard for history.
    I parked under a pepper tree, using the overhanging branches as brief shelter while I put up my umbrella. I checked the names and house numbers of the two former neighbors, hoping one of them could give me a lead on Polo's current whereabouts.
    The first door I knocked on was answered by an elderly woman in a wheelchair, her legs wrapped in Ace bandages and stuffed into lace-up shoes with slices cut out of the sides to accommodate her bunions. I stood on her leaky front porch, talking to her through the screen door, which she kept latched. She had a vague recollection of Billy, but had no idea what had happened to him or where he'd gone. She did direct me to a little rental unit at the rear of the property next door. This was not one of the addresses I'd picked up from the city directory. She said Billy's family had lived in the front house, while the rear was still occupied by an old gent named Talbot, who had been there for the last thirty years. I thanked her and picked my way down the rain-slicked stairs and back along the driveway.
    The front unit must have been one of the early houses in the area-a story and a half of white frame, with a peaked roof, two dormers, and a front porch that was screened in now and furnished with junk. I could see the coils on the backside of an old refrigerator and beside it, what looked like a pillar of milk cartons, filled with paperback books. Hydrangeas and bougainvillea grew together in a tangle along the side of the house and the runoff from the rain gutter threw a gush of water out on the drive, forcing me to cut wide to the right.
    The rear unit looked like it was originally a tool shed, with a lean-to attached to the left side and a tiny carport on the right. There was no car visible and most of the sheltered space was taken up by a cord of firewood, stacked against the wall. There was room left for a bicycle maybe, but not much else.
    The structure was white frame, propped up on cinderblocks, with a window on either side of a central door, and a tiny chimney poking up through the roof. It looked like the drawing we all did in grade school, even to the smoke curling up from the chimney pipe.
    I knocked and the door was opened by a wizened old man with no teeth. His mouth was a wide line barely separating the tip of his nose from the upward thrust of his chin. When he caught sight of me and realized that I was no one he knew, he left the doorway briefly and returned with his dentures, smiling slightly as he shifted them into place. His false teeth made a crunching sound like a horse chewing on a bit. He looked to be in his seventies, frail, his pale skin speckled with red and blue. His white hair was brushed into a pompadour in front, shaggy over his ears and touching his collar in the back. He wore a shirt that looked soft from years of washing and a cardigan sweater that probably belonged to a woman at some point. The buttons were rhinestone and the buttonholes were on the wrong side. He smoothed his hair back with a trembling hand and waited to see what I could possibly want.
    "Are you Mr. Talbot?"
    "Depends on who's asking," he said.
    "I'm Kinsey Millhone. The woman next door suggested that I talk to you. I'm looking for Billy Polo. His family lived in that front house about five years ago."
    "I know Billy quite well. Why are you looking for him?"
    "I need some information about a friend of his," I said and then gave him a brief explanation. I couldn't see any

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