enough for me to slip a hand through my mosquito nets to stroke it) and adorned with the symbol of my family and make and serial number. It was not very intelligent, less smart than the real monkeys that squabbled and fought on the rooftops, but clever enough to climb and hunt the assassin robots of the Azads along the ledges and turrets and carvings of the Jodhra Palace. And in the morning I would see them lining the ledges and rooftops with their solar cowls raised, and then they did not seem to me like monkeys at all, but cousins of the sculpted gods and demons among which they sheltered, giving salutation to the sun.
You never think your life is special. Your life is just your life, your world is just your world, even lived in a Rajput palace defended by machine monkeys against an implacable rival family. Even when you are a weapon.
Those four words are my memory of my father: his face filling my sight like the Marwar moon, his lips, full as pomegranates, saying down to me, You are a weapon, Padmini, our revenge against the Azads. I never see my mother's face there: I never knew her. She lived in seclusion in the zenana, the women's quarters. The only woman I ever saw was my ayah, mad Harpal, who every morning drank a steaming glass of her own piss. Otherwise, only men. And Heer, the khidmutgar, our steward. Not man, not woman: other. A nute. As I said, you always think your life is normal.
Every night the monkey-robot watched me, turning its head this way, that way. Then one night it slipped away on its little plastic paws and I slid out of my nets in my silk pajamas after it. It jumped up on the balcony, then in two leaps it was up the vine that climbed around my window. Its eyes glittered in the full moon. I seized two handfuls of tough, twisted vine, thick as my thigh, and was up after it. Why did I follow that steel monkey? Maybe because of that moon on its titanium shell. Maybe because that was the moon of the great kite festival, which we always observed by flying a huge kite in the shape of a man with a bird's tail and outstretched wings for arms. My father kept all the festivals and rituals, the feasts of the gods. It was what made us different from, better than, the Azads. That man with wings for arms, flying up out of the courtyard in front of my apartment with the sun in his face, could see higher and further than I, the only daughter of the Jodhras, ever could. By the moonlight in the palace courtyard I climbed the vine, like something from one of ayah's fairy tales of gods and demons. The steel monkey led on, over balconies, along ledges, over carvings of heroes from legends and full-breasted apsara women. I never thought how high I was: I was as light and luminous as the bird-man. Now the steel monkey beckoned me, squatting on the parapet with only the stars above it. I dragged myself up onto the roof. Instantly an army of machine monkeys reared up before me like Hanuman's host. Metal gleamed, they bared their antipersonnel weapons: needle throwers tipped with lethal neurotoxins. My family has always favored poison. I raised my hand and they melted away at the taste of my body chemistry, all but my guide. It skipped and bounded before me. I walked barefoot through a moonlit world of domes and turrets, with every step drawn closer to the amber sky-glow of the city outside. Our palace presented a false front of bays and windows and jharokas to the rude people in the street: I climbed the steps behind the facade until I stood on the very top, the highest balcony. A gasp went out of me. Great Jaipur lay before me, a hive of streetlights and pulsing neons, the reds and whites and blinking yellows of vehicles swarming along the Johan Bazaar, the trees hung with thousands of fairy lights, like stars fallen from the night, the hard fluorescent shine of the open shop fronts, the glowing waver of the tivi screens, the floodlight pools all along the walls of the old city: all, all
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