book.â
âGood plan. If the killer got the wrong girl, Ginny Wuttenee may be in danger, and the sooner we pin down her life story, the more likely we are to know whether or not she needs protection.â
âGinny Wuttenee is staying with Ms. Nesrallah. Weâll stop and tell her to meet us downstairs in the party room in an hour when weâve finished in Sabrinaâs apartment,â Rhona said.
âNot Ms. Grantâs office?â
âNo. Weâve interfered enough in their lives. The party room will be fine.â
âWe should have it to ourselves. No one will be partying right now,â Ian said.
Before entering Sabrinaâs apartment, they pulled on gloves and protective covers for their shoes.
âIf we turn up anything significant, we wonât have contaminated the site,â Rhona said.
The apartment reeked of paint.
âI thought the new paints didnât smell,â Ian said.
âLatex is better. Theyâve used oil in here,â Rhona said, flicking on the hall light to reveal deep amber walls, the colour intensified by the amber shade on the overhead light. The effect was strange but attractive. From the hall they moved to the living room.
âCharcoal. Isnât it smashing,â Ian said. âThe white woodwork, the ebony furniture â absolutely smashing.â
Rhona wasnât quite so taken with it, but it was a stunning room.
âI never considered charcoal. My pine furniture would stand out against it. I see a project coming on.â
Rhona reflected that if Ian had made that statement with any of his male colleagues, he would have been mocked, if not to his face then behind his back. Maybe the fact that he revealed so little about himself was a careful cover-up because he realized how heâd be perceived. Interesting. Maybe he wasnât the metrosexual sheâd pegged him for. Maybe ⦠but what did that have to do with anything.
âNothing personal here. It could be a hotel,â Rhona said.
They continued to the master bedroom, also painted charcoal with a black iron bedframe and white linens. A well-stocked bar cart and the same mirrored ceiling theyâd seen in Ginnyâs bedroom as well as a white floktari rug on the black-stained floor made a dramatic but impersonal impression.
Ian slid open the drawer of one bedside table.
âAnything?â Rhona asked.
âA selection of condoms,â he said and bent to open the cupboard underneath. âSex toys to please almost anyone.â
âSee whatâs in the one on the other side,â Rhona instructed.
Ian walked around the bed and checked. âSame kind of stuff, but thereâs more sadomasochistic things â a whip, handcuffs.â He probed further. âLeather masks and other things,â he said and shut the door.
âTools of the trade, I suppose. Could be relevant â too soon to tell. We need to know more about her, who she is, and where she came from. Letâs try the other bedroom. She must stash personal belongings somewhere. This room reveals nothing about her personality other than her dramatic taste in furnishings and colour and her willingness to do whatever her clients asked.â
She opened the door of the second bedroom and stopped to absorb the total contrast to the rest of the apartment. Soft rose walls, a white wooden single bed with a beautiful quilt. Four more beautiful antique quilts hung on the walls. On the white desk an open, ready-to-go, state-of-the-art sewing machine and a closed Apple laptop took up the space. Two tall white bookcases filled with rectangular white baskets and a series of black binders, a chest of drawers with a wall-mounted flat-screen TV, and an armchair slip-covered in cream cotton with a footstool upholstered in rose-patterned chintz completed the furnishings. A multi-coloured rag rug on the floor added to the roomâs welcoming coziness.
âThe real Sabrina Trepanier
Kathleen Brooks
Alyssa Ezra
Josephine Hart
Clara Benson
Christine Wenger
Lynne Barron
Dakota Lake
Rainer Maria Rilke
Alta Hensley
Nikki Godwin