place,
they go through you first
— and then the answer is
no.
Not until I’m on-site. This is an MPD crime scene, and I’m ranking Homicide. You’re going to see FBI, ATF, maybe the chief, too. He lives a lot closer than I do. Tell him to call me in the car if he wants.”
“Anything else, Detective?” Fleischman sounded just alittle overwhelmed. Not that I blamed him. Most 2D officers aren’t used to this kind of thing.
“Yeah, talk to your first responders. I don’t want any jaw jacking with the press or the neighbors —
no one.
As far as your guys are concerned, they haven’t seen a thing, they don’t know a thing. Just keep the whole place locked down tight until I’m there.”
“I’ll try,” he said.
“No, Sergeant. You’ll just do it. Trust me — we have to keep this thing locked down tight.”
Chapter 24
UNFORTUNATELY THE PRESS was going berserk when I got there. Dozens of cameras were jockeying for an angle on Mel and Nina Dlouhy’s white stone house, either out front at the barriers that Sergeant Ed Fleischman had established, or over on Thirty-first, where a separate detail had been dispatched just to keep people from coming in through the back, which they certainly would do.
Most of the looky-loos on the street, if they weren’t press, were probably wandering up from Cleveland Avenue. The neighbors seemed to have stayed home. I could see silhouettes in the windows up and down the block as I drove in. I signed up with crime-scene attendance and immediately ordered a canvassing detail to start knocking on doors.
Sampson met me at the scene, straight from a faculty thing at Georgetown, where his wife, Billie, taught nursing. “Can’tsay I’m glad this happened,” he told me, “but, shit, how much wine and cheese can a man eat in one lifetime?”
We started in the living room, where the Dlouhys had reportedly been watching an episode of
The Closer
. The TV was still on, ironically with a live news shot of the house now. “That’s creepy,” said Sampson. “The press like to talk about invasion of privacy — except when they’re doing the invading.”
Mrs. Dlouhy’s initial statement was that she’d heard a tinkle of glass, looked over at the broken window, and only then noticed her husband’s head slumped over with his eyes wide open in the recliner next to hers. I could still hear her crying in the kitchen with one of our counselors, and my heart went out to her some. What a nightmare.
Mel Dlouhy was still sitting in his chair. The single bullet wound in his temple looked relatively clean, with a small blue-black halo around the entry. Sampson pointed to it with the tip of a pen.
“Let’s say he gets shot here,” he said, and raised the pen about six inches to where Dlouhy’s head would have been positioned. “And it comes in” — he drew the pen in an arc until it was pointing at the broken glass — “over there.”
“That’s a downward angle,” I said. The bullet had pierced one of the top panes in a six-over-one window that looked out to the backyard. Without any discussion, we both walked around to the dining room and outside through a pair of French doors.
A brick patio in the back gave way to a long, narrow yard. Two floodlights on the side of the house lit about half thespace, but it didn’t look like there were any outbuildings or trees big enough to support someone’s weight.
Beyond that, the rear neighbor’s three-story Tudor was backlit by the streetlamp on Thirty-first. Two huge oaks dominated that yard, mostly obscured in the shadow of the house.
“You said nobody was home over there?” Sampson asked. “That right?”
“Out of town, in fact,” I said. “Someone knew exactly what he was doing. Maybe showing off. Shooter’s got a reputation to live up to after that first hit.”
“Assuming this is he.”
“It’s he,” I said.
“Excuse me, Detective?” Sergeant Ed Fleischman was suddenly standing there. I looked down at his
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