Contempt

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Authors: Alberto Moravia
Tags: Fiction, Literary
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always ends by finding the woman who appreciates and loves him, and that to judge of other people’s feelings on the basis of one’s own is a mistake; and I had a feeling of sympathy for her, in her devotion to her man, and of satisfaction on Pasetti’s behalf, for whom, as I have already said, I cherished, in spite of his mediocrity, a sort of ironical friendship. But, suddenly, just as I was losing interest and turning my eyes elsewhere, I was transfixed by a thought from I know not where, or rather, by a sudden perception: “In those eyes is the whole love of this woman for her husband...he is content with himself and with his own work because she loves him. But it is a long time since that feeling showed itself in Emilia’s eyes. Emilia does not love me, she will never love me again.”
    At this thought, which revived in me a deep-seated pain, I had a sense almost of physical shock; so much so that I made a grimace, and Signora Pasetti asked me anxiously if by any chance the meat I was eating was tough. I reassured her: the meat was not tough. Meanwhile, though I still pretended to listen to Pasetti who went on talking about his plans for the future, I tried to analyze that first sensation of pain, so acute and at the same time so obscure. Then I understood that, during the last month, I had been seeking all the time to accustom myself to an intolerable situation, but that I had not, in reality, succeeded: I could not endure to go on living in that way, what with Emilia who did not love me and my work which, owing to her not loving me, I could not love. And suddenly I said to myself: “I can’t go on like this. I must have an explanation with Emilia, once and for all...and, if necessary, part from her and give up my work as well.”
    Nevertheless, although I thought of these things with despairing resolution, I realized that I could not bring myself wholly to believe in them: in reality I was not yet altogether convinced that Emilia no longer loved me, nor that I should find the strength to part from her, give up my film work and go back to living alone. In other words I had a feeling almost of incredulity, of a painful kind quite new to me, at finding myself faced with a fact that in my mind I now held to be indubitable. Why did Emilia no longer love me, and how had she arrived at this state of indifference? With a feeling of anguish in my heart, I foresaw that this first general conclusion, already so painful, would demand an infinite number of further, minor proofs before I became completely convinced—proofs which, just because they were of lesser importance, would be more concrete and, if possible, still more painful. I was, in fact, now convinced that Emilia could no longer love me; but I did not know either why or how this had come about; and in order to be entirely persuaded of it I must have an explanation with her, I must seek out and examine, I must plunge the thin, ruthless blade of investigation into the wound which, hitherto, I had exerted myself to ignore. This thought frightened me; and yet I realized that only after carrying my investigation through to the bitter end should I have the courage to part from Emilia, as, at the first moment, the desperate impulse of my mind had suggested.
    In the meantime I went on eating and drinking and listening to Pasetti, but almost without noticing what I was doing. In due time, however, lunch came to an end. We went back to the sitting-room, and there I had to submit to all the various formalities of the bourgeois guest—coffee with one, or two, lumps of sugar; the offer of a liqueur, sweet or dry, received with the customary refusal; idle conversation to pass the time. Finally, when it seemed to me that I could take my leave without giving an impression of haste, I rose from my chair. But, just at that moment, the Pasetti’s eldest little girl was brought into the room by her nurse, to be displayed to her parents before her daily walk. She was a dark-haired,

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