woman, this Tretikov?â
âIâve seen an interview with her.â
âYes, of course.â Dr. Trinh stood up, brushing the front of her suit with her tiny hands as she did so, as though Madame Tretikov had covered her with breadcrumbs. âYes, sheâs an ordinary person who has unconsciously used the power of the internet to create a new reality concerning Madame Arosteguy. And it has caused me and my medical colleagues alot of anguish, I can tell you.â A contemptuous snicker. âSheâs the kind of superstitious old woman who believes that thinking too much, or even thinking certain thoughts, can give you brain cancer. And I want you to correct that. That is why I agreed to talk to you.â Having made her statement, this figurine of a woman sat back down and resumed exactly her former position. âThe media have now accused us of negligence in our treatment of a woman who was considered a national jewel. They talk of misdiagnosis, of carelessness, of political pressure on us that forced us to ignore her deadly condition, and so on.â
âAnd none of that is true?â
âNone of it.â
âAnd Célestine didnât tell her husband that she had brain cancer, and she didnât ask him to kill her?â
At this, Dr. Trinh produced a sad smile, and it struck Naomi as a genuine smile at last, one which illuminated the doctorâs eyes and altered her breathing, which summoned the earthy presence of Célestine Arosteguy into her fussy, controlled office. âCélestine always used to say that she was doomed and that she had a terminal illness. She said that to her students, to me, to everyone. It was not a complaint, you see. It was almost a promise. But then, anyone who read her writings deeply would know she didnât mean anything medical.â
The smile was still on Dr. Trinhâs face as she looked down at her doll-like hands, lost in secret memories of the doomed, womanly Célestine, and Naomi found herself wanting to destroy it, to punish her for it. In particular, Naomi was annoyed with herself for not having read even a précis of the Arosteguy oeuvre and could not therefore call the doctor on this evasion. The necessary weapons, however, were close at hand. âAnd would she ask just anyone to kill her?â It occurred to Naomi that she had very recently fallen back on the expression âjust kill meâin a conversation with Nathan in which he had again carped about his missing macro/portrait lensâthe lens on her camera right now, sitting in the bag at her feetâbut she doubted it would be part of Célestineâs lexicon.
âOf course not.â
âBut someone did kill her. Who do you think it was?â
âI have no idea. She had many friends.â
âThat surprises me. You think a friend killed her?â
âShe knew many people.â
âYou donât think a stranger killed her.â
âThese are things I know nothing about.â
âShe would say to you, her personal physician, that she had a terminal illness, and you felt that she was being philosophical? You didnât take it seriously?â
Dr. Trinh had been talking to her hands, but now she raised her eyes to Naomi, searching as she spoke for verifying signs of Naomiâs stupidity, her profound American ignorance. âIt was an existential statement,â said Dr. Trinh, âabout the death sentence we all live under. She had an affection for Schopenhauer, which led her at times into a kind of fatalistic romanticism. I tried to get her to revisit Heidegger, not so different in some ways, the Germanic ways, but at least a shift away from that sickly Asian taste for cosmic despair.â As if summoned from the ether by that last phrase, a tiny silver crucifix hanging from a bracelet around the doctorâs left wrist caught the raw daylight bouncing onto the desk from a corner mirror and caught Naomiâs
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