bound to,â I said. I turned the black knee-length trousers around to see which was front and which was back. It wasnât easy to tell.
âThen let me set your mind at rest, Grant,â Christopher said, puzzling over the breeches, too. âAnd hang on. I think we need to put the stockings on first. These things buckle over the stripy socks andâI hopeâhelp to keep the wretched things up. I sincerely hope so. I hate wrinkles round my ankles. Anyway, forget Mr. Amos. I shall only be here for a short time.â
âWhy?â I said. âAre you sure?â
âPositive,â Christopher said, wriggling a bare foot dubiously into a striped stocking. âIâm only doing this while Iâm on my way to something quite different. When I find what I want, I shall leave at once.â
I was at that moment standing on one foot while I tried to put a stocking on, too. It was floppy and it twisted and the top kept closing up. I was so astonished to hear that Christopher was in exactly the same position as me, that I overbalanced. After a moment or so of frantic hopping about, I sat on the floor with a crash.
âI see your feelings overwhelm you,â Christopher remarked. âYou really neednât worry, Grant. Regard me as a complete amateur. I shall never be a serious footman, let alone a valet or a butler.â
Six
After what Christopher had said, I expected him to look all wrong in his new clothes. Not a bit of it. As soon as he had tightened the straps of his striped waistcoat, so that it sat trimly around his waist, and tied the white neckcloth under his chin, he looked a perfect, jaunty young footman. I was the one who looked wrong. I could see myself in the long stripe of mirror on the back of the door looking, ever so slightly, a mess. This was odd and unfair, because my hair was as black as Christopherâs and I was not fat and there was nothing wrong with my face. But I looked as if I had stuffed my head through a hole on the top of a suit of clothes meant for someone else, the way you do for trick photographs.
âSeven minutes up,â Christopher said, folding back the frill at the wrist of his shirt to look at his watch. âNo time to admire yourself, Grant.â
As we left the room, I remembered that I had left the port wine cork in the pocket of my own trousers. Mayor Seuly had said to carry it with me at all times. I had to dive back to get it and stuff it into ⦠Oh. The wretched breeches turned out not to have pockets. I crammed the cork into a narrow waistcoat pocket as I followed Christopher out. I was going to tell him it was a keepsake from home, if he asked, but he never seemed to notice.
Hugo had his watch out when we found him. âYouâll have to keep better time than this,â he said. âMy father insists on it.â He put his watch away in order to tweak at my neckcloth, then at Christopherâs. Everyone at Stallery was always trying to rearrange our neckcloths, but we didnât know that then, and we both backed away in surprise. âFollow me,â Hugo said.
We didnât go down in the lift. Hugo led us down narrow, creaking stairs to the next floor. Here the ceilings were higher and the corridors wider, with matting on them, but everywhere was rather dark. âThis is the nursery floor,â he said. âAt the moment, we use some of the rooms for the housekeepers and the sort of guests who donât eat with the Family, valets, the accountant, and so on.â
On the way to the next flight of stairs, he opened a door to show us a long, dark, polished room with a rocking horse halfway down it, looking rather lonely. âDay nursery,â he said.
The next flight of stairs was wider and had matting for carpet. At the bottom, the ceilings were a bit higher still, and there was carpet everywhere, new and pungent and dove gray. There were pictures on the walls. âGuest rooms?â Christopher
Anita Shreve
Nick Oldham
Marie-Louise Jensen
Tessa de Loo
Wanda E. Brunstetter
David Wood
Paul Cave
Gabriel J Klein
Regina Jeffers
Linda Lael Miller, Sherryl Woods, Brenda Novak, Steena Holmes, Melody Anne, Violet Duke, Melissa Foster, Gina L Maxwell, Rosalind James, Molly O'Keefe, Nancy Naigle