going to work by train. Has he even been going to work? Would she know if he didnât? Yes, of course, George-n-ita would have said something. And there was the Ph.D. student. Of course heâs been going to work.
Though it might be better if he hadnât. The work is bad for him, sheâs sure of that â despite the fact that it was her prompting that led him into it. Oh, it was innocent then, it was hopeful, it was still possible for them to talk; it was before this awful shutter had come down between them.
They had a holiday in Ireland, the summer after Danâs first birthday. Rented an old farmhouse in West Cork, she can still smell the smoky, peaty dampness of the place. There were niggles between them; she had got them a new au pair and gone back to work when Dan was three months, and Con was putting in more time with the kids than he should have been doing. He was already fretting about Dan, who was late to smile, late to sit up, late to crawl. He was on three yearsâ funding looking at immunosuppressants and the treatment of tumours in rats; it was slow, predictable work. El believed he was sublimating his own stasis onto Dan. And both of them were tired â four children were turning out to be significantly more work than three.
But the Irish farm was a good place, and they fell back into their old easy way of getting on that went back to before Dan was born, sitting outside in the overgrown garden in the long summer evenings, while Paul and Megan played hide and seek under the rhododendron bushes. Once Dan was settled and three-year-old Cara in bed, they could leave the older two to play until they dropped. They sat in dilapidated deckchairs with a bottle of wine on a wobbly cane table between them, watching as the sky slowly deepened and bats began to carve the air.
âTell me something youâd really like,â she said to him.
âFirst star.â He pointed high above the farmhouse roof. In the bushes all around them the little birds were twittering and fluttering and falling away.
âTell me.â
âIâd like to never see the inside of that bloody lab again.â
âWell, Con â you must leave.â
âAnd do what? Itâs secure, thereâs funding â Iâm working for a megalomaniac and the research is like watching paint dry, but so what?â
âSo that . Itâs soul-destroying. Listen, I had an idea. It was just a conversation I barged in on, one lunchtime â they were talking about transplants.â
âTransplants?â
âHeart, kidney, lung, whatever. Saul and Brock have got money for a slab of research on monkeys.â
âIâm not interested in butchery.â
âOf course. But apart from the surgery, whatâs the main thing thatâs all about?â
âRejection.â
âPrecisely. Finding ways to stop rejection. Immunosuppressants.â
âI donât know anything about monkeys.â
âDuh. No. But you know a hell of a lot about immune systems. About how they break down. About ways of blocking them.â
âIn rats, and humans.â
âWouldnât there be cross over?â
âEl, there are people whoâve been working on monkeys for years. Saul and Brock for a start.â
âBut work on immune markers in cancer might well be relevant for damping down rejection in transplanted organs â theyâre all parts of the same system.â
There was a silence, and they listened to Meganâs clear shrill voice calling out, âNinety-eight, ninety-nine, one hundred . Coming, ready or not.â
âThere must be people who already know about this.â
âIâm not sure there are. Why donât you give Saul a ring?â
âGive him a ring and say what?â
âOh Con! Say youâve heard heâs got money to work on transplants, and whereâs he up to on immunosuppressants. Say
Patricia Hagan
Rebecca Tope
K. L. Denman
Michelle Birbeck
Kaira Rouda
Annette Gordon-Reed
Patricia Sprinkle
Jess Foley
Kevin J. Anderson
Tim Adler