about. âIâm thinking, Iâm thinking,â Sandro filled in. Tatiana laughed, putting her arm around Sandro. âWhat time is the next plane to New York, anyway?â Sandro asked the Marshal.
âWell, youâre in luck there, Counselor. This isnât exactly New York City. First direct flight isnât until tomorrow morning. Thereâs a plane that leaves here at three thirty this afternoon. Goes to Chicago, gets into New York, about seven forty five.â
âI can drive and be in New York before that.â
âThereâs no doubt in my mind about that, Counselor.â The Marshal wagged his head again at the Testa Rossa.
âIs there any way we can work this thing out?â Sandro asked. âHow about if you donât find me until tomorrow morning?â
âIâd sure love to accommodate you, Counselor, but if someone at the office calls over here, and somebody says youâve been here racing cars, and I didnât get you to New York. Well, heck, you know â¦â
âYeah, yeah.â Sandro glanced at the track. The cars from the session were coming into the pits. âGet in,â he said to the Marshal, nodding toward the Ferrari. He took his helmet out of the storage compartment and handed it to the Marshal.
âYou mean it,â the Marshal said, starting to slide in behind the steering wheel.
âThe other side, wise guy.â
The Marshal and Tatiana both laughed. âI just wanted to sit behind the wheel a second.â
âBilly, lend me your helmet,â Sandro called to a driver near the pits. The other driver threw his helmet to Sandro.
âWeâll go around once, and then you can call New York and tell them you did your mischief, you messed up our beautiful weekend.â
âSorry, Miss,â the Marshal said to Tatiana. âItaly, right, your accent?â
âYou have a great ear for accents,â Sandro smirked as he fired the engine. It snarled into life. He feathered the throttle, warming the engine as the Marshal, smiling like a kid at Christmas, donned the helmet, slid into the passenger seat, and buckled the safety belt.
âWeâll go for one quick tour around the track before the next cars get out there. Then weâll hustle on to New York.â
âThey gonna let you go around the track?â asked the Marshal.
âHey, youâre the U.S. Marshal, arenât you?â
âDamn right,â he laughed. âMove it on out.â
Sandro slipped the car into first gear as he studied the track. He eased forward, moving slowly on pit lane. He revved the engine to 7,000 RPM, held it, then popped the clutch. The car lunged toward the looping right hander at the end of pit lane; Sandro deftly upshifted to second just as the car crested a slight rise in the track; the bottom seemed to fall out of the car.
âJee-suss Ch-ri-st!!!!â shouted the Marshal.
Harlem : June 18, 1996 : 4:05 P.M.
The Midnight Cafe was on 137th Street off Adam Clayton Powell Jr. Boulevard. Its walls were wood paneled, remnants of its service as an Episcopal chapel in the late 1880s, when Harlem was a fashionable, brownstone-lined suburb of Upper Manhattan. Later, the chapel was converted into a funeral parlor, until 1930, when it became a speakeasy, then, finally, after Prohibition, a restaurant.
During normal business hours, The Midnight Cafe was an upscale restaurant with a dash of forbidden for adventurous, white downtowners. To add to its inaccessibility, and therefore, desirability, the Cafeâs doors were always locked, opened only to customers who identified themselves to a bouncer at the Judas Eye in the door.
After dinner hours, the lounge area in the front of the Café morphed into an after-hours blues club, mostly for soul brothers and sisters. The dining room in back was usually empty by then, the late night habitués preferring the intimacy of the lounge.
At the moment, except for
Brynn Paulin
Martin Limon
Connie Mann
Eva Corona
Aimee Pitta, Melissa Peterman
John Christopher
Ramsey Campbell, Peter Rawlik, Mary Pletsch, Jerrod Balzer, John Goodrich, Scott Colbert, John Claude Smith, Ken Goldman, Doug Blakeslee
Elliot Arthur Cross
Graham Masterton
Chris Colfer