Conan the Barbarian: The Stories That Inspired the Movie

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Authors: Robert E. Howard
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the sweat from his face. A knife thrust he did not dread, but he feared Khemsa as a man fears a poisonous reptile.
    “People who plot on roofs should remember to lower their voices,” he muttered. “But as Khemsa has turned against his masters, and as he was my only contact with them, I can count on their aid no longer. From now on I play the game in my own way.”
    Rising to his feet he went quickly to a table, drew pen and parchment from his girdle and scribbled a few succinct lines.
    “To Khosru Khan, governor of Secunderam: the CimmerianConan has carried the Devi Yasmina to the villages of the Afghulis. It is an opportunity to get the Devi into our hands, as the king has so long desired. Send three thousand horsemen at once. I will meet them in the valley of Gurashah with native guides.” And he signed it with a name that was not in the least like Kerim Shah.
    Then from a golden cage he drew forth a carrier pigeon, to whose leg he made fast the parchment, rolled into a tiny cylinder and secured with gold wire. Then he went quickly to a casement and tossed the bird into the night. It wavered on fluttering wings, balanced, and was gone like a flitting shadow. Catching up helmet, sword and cloak, Kerim Shah hurried out of the chamber and down the winding stair.
    The prison quarters of Peshkhauri were separated from the rest of the city by a massive wall, in which was set a single iron-bound door under an arch. Over the arch burned a lurid red cresset, and beside the door stood – or squatted – a warrior with spear and shield.
    This warrior, leaning on his spear, and yawning from time to time, started suddenly to his feet. He had not thought he had dozed, but a man was standing before him, a man he had not heard approach. The man wore a camel-hair robe and a green turban. In the flickering light of the cresset his features were shadowy, but a pair of lambent eyes shone surprizingly in the lurid glow.
    “Who comes?” demanded the warrior, presenting his spear. “Who are you?”
    The stranger did not seem perturbed, though the spear point touched his bosom. His eyes held the warrior’s with strange intensity.
    “What are you obliged to do?” he asked, strangely.
    “To guard the gate!” The warrior spoke thickly and mechanically; he stood rigid as a statue, his eyes slowly glazing.
    “You lie! You are obliged to obey me! You have looked into my eyes, and your soul is no longer your own. Open that door!”
    Stiffly, with the wooden features of an image, the guard wheeled about, drew a great key from his girdle, turned it in the massive lock and swung open the door. Then he stood at attention, his unseeing stare straight ahead of him.
    A woman glided from the shadows and laid an eager hand on the mesmerist’s arm.
    “Bid him fetch us horses, Khemsa,” she whispered.
    “No need of that,” answered the Rakhsha. Lifting his voice slightly he spoke to the guardsman. “I have no more use for you. Kill yourself!”
    Like a man in a trance the warrior thrust the butt of his spear against the base of the wall, and placed the keen head against his body, just below the ribs. Then slowly, stolidly, he leaned against it with all his weight, so that it transfixed his body and came out between his shoulders. Sliding down the shaft he lay still, the spear jutting above him its full length, like a horrible stalk growing out of his back.
    The girl stared down at him in morbid fascination, until Khemsa took her arm and led her through the gate. Torches lighted a narrow space between the outer wall and a lower inner one, in which were arched doors at regular intervals. A warrior paced this enclosure, and when the gate opened he came sauntering up, so secure in his knowledge of the prison’s strength that he was not suspicious until Khemsa and the girl emerged from the archway. Then it was too late. The Rakhsha did not waste time in hypnotism, though his action savored of magic to the girl. The guard lowered his spear

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