church tower standing at the intersection of the three chief streets was expressing half-past two to the Town Hall opposite, where the much talked-of reading from Shakespeare was about to begin. The doors were open, and those persons who had already assembled within the building were noticing the entrance of the new-comers — silently criticizing their dress — questioning the genuineness of their teeth and hair — estimating their private means.
Among these later ones came an exceptional young maiden who glowed amid the dulness like a single bright-red poppy in a field of brown stubble. She wore an elegant dark jacket, lavender dress, hat with grey strings and trimmings, and gloves of a colour to harmonize. She lightly walked up the side passage of the room, cast a slight glance around, and entered the seat pointed out to her.
The young girl was Cytherea Graye; her age was now about eighteen. During her entry, and at various times whilst sitting in her seat and listening to the reader on the platform, her personal appearance formed an interesting subject of study for several neighbouring eyes.
Her face was exceedingly attractive, though artistically less perfect than her figure, which approached unusually near to the standard of faultlessness. But even this feature of hers yielded the palm to the gracefulness of her movement, which was fascinating and delightful to an extreme degree.
Indeed, motion was her speciality, whether shown on its most extended scale of bodily progression, or minutely, as in the uplifting of her eyelids, the bending of her fingers, the pouting of her lip. The carriage of her head — motion within motion — a glide upon a glide — was as delicate as that of a magnetic needle. And this flexibility and elasticity had never been taught her by rule, nor even been acquired by observation, but, nullo cultu, had naturally developed itself with her years. In childhood, a stone or stalk in the way, which had been the inevitable occasion of a fall to her playmates, had usually left her safe and upright on her feet after the narrowest escape by oscillations and whirls for the preservation of her balance. At mixed Christmas parties, when she numbered but twelve or thirteen years, and was heartily despised on that account by lads who deemed themselves men, her apt lightness in the dance covered this incompleteness in her womanhood, and compelled the self-same youths in spite of resolutions to seize upon her childish figure as a partner whom they could not afford to contemn. And in later years, when the instincts of her sex had shown her this point as the best and rarest feature in her external self, she was not found wanting in attention to the cultivation of finish in its details.
Her hair rested gaily upon her shoulders in curls and was of a shining corn yellow in the high lights, deepening to a definite nut-brown as each curl wound round into the shade. She had eyes of a sapphire hue, though rather darker than the gem ordinarily appears; they possessed the affectionate and liquid sparkle of loyalty and good faith as distinguishable from that harder brightness which seems to express faithfulness only to the object confronting them.
But to attempt to gain a view of her — or indeed of any fascinating woman — from a measured category, is as difficult as to appreciate the effect of a landscape by exploring it at night with a lantern — or of a full chord of music by piping the notes in succession. Nevertheless it may readily be believed from the description here ventured, that among the many winning phases of her aspect, these were particularly striking: —
During pleasant doubt, when her eyes brightened stealthily and
smiled (as eyes will smile) as distinctly as her lips, and in the
space of a single instant expressed clearly the whole round of
degrees of expectancy which lie over the wide expanse between Yea
and Nay.
During the telling of a secret, which was
Arabella Abbing
Christopher Bartlett
Jerusha Jones
Iris Johansen
John Mortimer
JP Woosey
H.M. Bailey
George Vecsey
Gaile Parkin
M. Robinson