Complete Works of Rudyard Kipling (Illustrated)

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Authors: Rudyard Kipling
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again at half-past two in the mornin’, singin,’ “Bring back the whiskey, Willie darlin,’” — not once or twice, but scores o’ times, — isn’t charity to the other tenants. What I say is, “Do as you would be done by.” That’s my motto.’
    ‘Of course! of course! I’m afraid the top floor isn’t the quietest in the house.’
    ‘I make no complaints, sir. I have spoke to Mr. Heldar friendly, an’ he laughed, an’ did me a picture of the missis that is as good as a coloured print. It ‘asn’t the high shine of a photograph, but what I say is, “Never look a gift-horse in the mouth.” Mr. Heldar’s dress-clothes ‘aven’t been on him for weeks.’
    ‘Then it’s all right,’ said Torpenhow to himself. ‘Orgies are healthy, and Dick has a head of his own, but when it comes to women making eyes I’m not so certain, — Binkie, never you be a man, little dorglums. They’re contrary brutes, and they do things without any reason.’
    Dick had turned northward across the Park, but he was walking in the spirit on the mud-flats with Maisie. He laughed aloud as he remembered the day when he had decked Amomma’s horns with the ham-frills, and Maisie, white with rage, had cuffed him. How long those four years seemed in review, and how closely Maisie was connected with every hour of them! Storm across the sea, and Maisie in a gray dress on the beach, sweeping her drenched hair out of her eyes and laughing at the homeward race of the fishing-smacks; hot sunshine on the mud-flats, and Maisie sniffing scornfully, with her chin in the air; Maisie flying before the wind that threshed the foreshore and drove the sand like small shot about her ears; Maisie, very composed and independent, telling lies to Mrs. Jennett while Dick supported her with coarser perjuries; Maisie picking her way delicately from stone to stone, a pistol in her hand and her teeth firm-set; and Maisie in a gray dress sitting on the grass between the mouth of a cannon and a nodding yellow sea-poppy. The pictures passed before him one by one, and the last stayed the longest.
    Dick was perfectly happy with a quiet peace that was as new to his mind as it was foreign to his experiences. It never occurred to him that there might be other calls upon his time than loafing across the Park in the forenoon.
    ‘There’s a good working light now,’ he said, watching his shadow placidly. ‘Some poor devil ought to be grateful for this. And there’s Maisie.’
    She was walking towards him from the Marble Arch, and he saw that no mannerism of her gait had been changed. It was good to find her still Maisie, and, so to speak, his next-door neighbour. No greeting passed between them, because there had been none in the old days.
    ‘What are you doing out of your studio at this hour?’ said Dick, as one who was entitled to ask.
    ‘Idling. Just idling. I got angry with a chin and scraped it out. Then I left it in a little heap of paint-chips and came away.’
    ‘I know what palette-knifing means. What was the piccy?’
    ‘A fancy head that wouldn’t come right, — horrid thing!’
    ‘I don’t like working over scraped paint when I’m doing flesh. The grain comes up woolly as the paint dries.’
    ‘Not if you scrape properly.’ Maisie waved her hand to illustrate her methods. There was a dab of paint on the white cuff. Dick laughed.
    ‘You’re as untidy as ever.’
    ‘That comes well from you. Look at your own cuff.’
    ‘By Jove, yes! It’s worse than yours. I don’t think we’ve much altered in anything. Let’s see, though.’ He looked at Maisie critically. The pale blue haze of an autumn day crept between the tree-trunks of the Park and made a background for the gray dress, the black velvet toque above the black hair, and the resolute profile.
    ‘No, there’s nothing changed. How good it is! D’you remember when I fastened your hair into the snap of a hand-bag?’
    Maisie nodded, with a twinkle in her eyes, and turned her full

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