of cinema sound.
Stories published in Kafka’s Lifetime
Meditation (1913)
Children on a Country Road
I HEARD the wagons rumbling past the garden fence, sometimes I even saw them through gently swaying gaps in the foliage. How the wood of their spokes and shafts creaked in the summer heat! Laborers were coming from the fields and laughing so that it was a scandal.
I was sitting on our little swing, just resting among the trees in my parents’ garden.
On the other side of the fence the traffic never stopped. Children’s running feet were past in a moment; harvest wagons with men and women perched on and around the sheaves darkened the flower beds; toward evening I saw a gentleman slowly promenading with a walking stick, and a couple of girls who met him arm in arm stepped aside into the grass as they greeted him.
Then birds flew up as if in showers, I followed them with my eyes and saw how high they soared in one breath, till I felt not that they were rising but that I was falling, and holding fast to the ropes began to swing a little out of sheer weakness. Soon I was swinging more strongly as the air blew colder and instead of soaring birds trembling stars appeared.
I was given my supper by candlelight. Often both my arms were on the wooden board and I was already weary as I bit into my bread and butter. The coarse-mesh window curtains bellied in the warm wind and many a time some passer-by outside would stay them with his hands as if he wanted to see me better and speak to me. Usually the candle soon went out and in the sooty candle smoke the assembled midges went on circling for a while. If anyone asked me a question from the window I would gaze at him as if at a distant mountain or into vacancy, nor did he particularly care whether he got an answer or not. But if one jumped over the window sill and announced that the others were already waiting, then I did get to my feet with a sigh.
‘What are you sighing for? What’s wrong? Has something dreadful happened that can never be made good? Shan’t we ever recover from it? Is everything lost?’
Nothing was lost. We ran to the front of the house. ‘Thank God, here you are at last!’ – ‘You’re always late!’ – ‘Why just me?’ – ‘Especially you, why don’t you stay at home if you don’t want to come.’ – ‘No quarter!’ – ‘No quarter? What kind of way is that to talk?’
We ran our heads full tilt into the evening. There was no daytime and no nighttime. Now our waistcoat buttons would be clacking together like teeth, again we would be keeping a steady distance from each other as we ran, breathing fire like wild beasts in the tropics. Like cuirassiers in old wars, stamping and springing high, we drove each other down the short alley and with this impetus in our legs a farther stretch along the main road. Stray figures went into the ditch, hardly had they vanished down the dusky escarpment when they were standing like newcomers on the field path above and looking down.
‘Come on down!’ – ‘Come on up first!’ – ‘So’s you can push us down, no thanks, we’re not such fools.’ – ‘You’re afraid, you mean. Come on up, you cowards!’ – ‘Afraid? Of the likes of you? You’re going to push us down, are you? That’s a good one.’
We made the attempt and were pushed head over heels into the grass of the roadside ditch, tumbling of our own free will. Everything was equally warm to us, we felt neither warmth nor chill in the grass, only one got tired.
Turning on one’s right side, with a hand under the ear, one could easily have fallen asleep there. But one wanted to get up again with chin uplifted, only to roll into a deeper ditch. Then with an arm thrust out crosswise and legs threshing to the side one thought to launch into the air again only to fall for certain into a still deeper ditch. And of this one never wanted to make an end.
How one might stretch oneself out, especially in the knees, properly to sleep in the
Dorothy Dunnett
Anna Kavan
Alison Gordon
Janis Mackay
William I. Hitchcock
Gael Morrison
Jim Lavene, Joyce
Hilari Bell
Teri Terry
Dayton Ward