Clearly Now, the Rain

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Authors: Eli Hastings
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big foil sheets of Vicodin, Soma, and bottles of liquid codeine. In a Corona-pennant and chili-light crowded taqueria, Serala goes to the restroom with the pills; Monty and I buy Gatorade and pour codeine into it.
    A few hundred yards shy of the border’s razor wire, stern agents, and German shepherds, we split up. Serala checks her watch a lot and is very good at looking exasperated. Monty and I play the role of fatigued tourists. I’m nervous for Serala with all those pills and her dark skin, lip ring, but the agent doesn’t even ask her a question when she whips out her ID, like a cop might do with his badge. When the officer asks me if I have anything to declare, I shake my head and take a swallow of the sour red blend. He waves me on.
    Later that night, back in the Batcave, Serala doles out Vicodin, lying prone on her elbows with Fred the parrot at her side. Her hands flying over the foil sheets, punching out the tablets, she gives me specific instructions.
    If you take three you can drink a little; if you take four you can’t. If you take two, I’ll tell you when you’ve had too much to drink.
    But even Serala couldn’t understand the way that those pills affect me. While Serala and Monty and a redheaded girl all reel into lazy dizziness, I get downright hyper and giddy like I’ve been snorting coke. Going stir-crazy in the Batcave, I fly out, beer in hand, to the quad, where I run up and down the chemical grass mounds, drop and roll like a child. I find an Asian freshman kid lolling in a hammock and start some kind of deep exchange; I remember hearing the music leaking from Serala’s window fifty yards away—Mazzy Star, I think. The night is oddly clear for southern California and the stars are bright. Spring is in effect and it feels good.
    We stop at the grocery store for booze and the fluorescent lights are too much so I buy cheap sunglasses, then a big red rubber ball. None of them can figure me out, but I’m not even interested—if I’m having an adverse reaction to painkillers then I’m all for adverse reactions.
    At a rowdy party at a beat-up old house, I am in my element with the drunks, flyers-up games with the rubber ball behind the place. It’s a while before I realize I’ve lost track of Serala, and I wander down the driveway. I find her on the front stoop, looking bad, Monty standing awkwardly off to the side, draining a cup of beer. The light from orange streetlamps softly coats her. I ask how she is.
    Sick,
she says, and when I look at her hunched there, collapsed into half her size and trembling a bit, all my moron high burns off and I realize she’s been poorly all night and I have been oblivious. It is literal—she’s been puking—but also not so, I think. It is one of the most troubled looks I’ve seen on her: pallor even on her dark skin, eyes both glazed and wild, like she has witnessed a massacre.
    She must have pasted on one of her don’t-fuck-with-me faces and strode off to some funky corner of that house to add heroin to the litany swirling through her, because just the pills would have been a mild high. I see her in the bathroom of that old house, the fluorescent light, the odor of rotting pipes and drunk misses of the toilet around her, sloshed assholes pounding the door while she screams
fuck off
and then gets the needle in or the line cut and sucks orgasmic air as the rush turns the room into cloud.
    Soon after that night she tried to explain.
    Sometimes i feel like i lie even to you. All the things that you don’t see. Your pain weighs on me as does Monty’s, because it is my own in a way that i failed to ever explain to you. Once i told you, but only half. It’s when days and nights pass and I do not move from my bed, i don’t open my eyes for more than an hour and still i am not sleeping. And when i do get up it’s because everyone and the world has passed through my eyes, then you

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