with him and another altogether to be his date for the night. They would dance. Across the country they were dancing—teens in ill-fitting tuxedos and strapless gowns, smiling for cameras, arms around each other, waiting for the flash. They had been dancing for months now, to “Twist and Shout” and “Pump the Jam” and “What I Like About You” and to songs they complained could not be danced to. Since April they had been ordering special creations from florists. All of May they had been doing fancy things with their hair. For the rest of June they would pile into limousines, drink cheap champagne, hold hands with people whose hands they didn’t usually hold. In every state in the Union they would dance, had danced, were still dancing, in auditoriums and gyms laden with crepe streamers and balloons, in rented banquet rooms, and on fold-out dance floors. The dancing would continue for a few weeks more, and for years and years.
But for now it was still Fourth Year French, and the last girl had fluttered out the door. All that was left in the classroom was a bunch of eighteen-year-old boys and Madame Lipsky. She exhaled a sigh, smiling with relief. In her enormous plastic glasses and purple-tinted hair, she looked radiant. She had done what Mack had never done—and what he now longed, palpably, to be able to do. She had set all things right in the world.
Sunshine Cleaners
Any weekday in Brookline, drivers caught in Beacon Street traffic might see Sergei hurrying along a certain stretch of wet sidewalk. Sergei’s back crooks slightly to the left, and his pants, baggy on thin, bowed legs, billow in the cold April air. If he’s already completed his transaction, he’ll be heading west, pockets sagging with quarters. When he arrives back at Sunshine Cleaners, he obeys the PUSH sign on the door, half expecting—one might call it hope—to find something changed. But there’s old Lida behind the counter, smoking her second cigarette of the day, taking dirty silk shirts from a bald man. The man has also brought a pair of shoes to be resoled, and Lida is shaking her head.
“But the sign in the window says ‘Shoe Repair,’ ” the man protests. Other signs read, “24-Hour Tailoring,” “Instant Zipper Fix,” and “We Store Winter Furs!” but those are incorrect, too.
“Down the street,” says Lida, already turning back to her sewing machine, while Sergei, now out of his snow-flecked red satin bomber jacket, begins work: taking piles of clothes around to the front, past the partition, into the laundry, over to the wall of bright yellow washing machines. All day he tosses clothes into washers and dryers and adds them to flat, folded stacks.
If it is a Monday, Sergei keeps an eye out for the tall girl. Last week she told him, “You disgust me!” This was after the change machine took her dollar without giving quarters, and Sergei, when notified, said, “Not my machine.” Other customers have given up on Sergei—if they ever addressed him at all—and no longer bother to approach him when machines malfunction. Not the tall girl. When she offered him her other dollar for four quarters, Sergei just shook his head. That was when the tall girl yelled, “You disgust me!” The two other customers looked frightened, not realizing that Sergei and the tall girl have such conversations regularly. Sometimes Lida, from her wooden seat in front of the Singer, joins in while hemming a skirt, not looking up, yelling, “
You
disgust
me
!” or “Not
my
machine!” or something in Russian that the tall girl can’t understand.
The tall girl always does her wash on Mondays, when there are fewer people. Strong, fit, with blond hair that meets her shoulders, and clear, flawless skin, she looks to be in her early twenties. If a dryer doesn’t work and Sergei tells her, “Not my machine,” she confronts him with frank eyes that at times force Sergei to look to the ground. She speaks in the flat voice of someone used to
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