look.”
“You can take a look, but he’s gone,” the man said. He was a little too heavy, with a successful lawyer’s carefully tanned face. He came down the sidewalk, his sandals flapping on the concrete; he was wearing a T-shirt and gym shorts, his black hair slicked back. He reminded Lucas a little of Jack Nicholson. “This way.”
Lucas followed him up the street, and the man asked, “What’s this all about?”
“We want to talk to him about some missing kids,” Lucas said.
“The girls? He’s the one?”
“Don’t know that,” Lucas said. “You ever see the guy around any kids?”
“No, I never did. But I never saw him much,” the man said. “I’m usually outa here by eight o’clock or so, and I don’t get home until six. My wife says he’d come out in the middle of the morning, go under the fence, but we never saw him come back. We figured he came back after dark.”
The man pointed across the street to an aged, heavily branched oak: “He lived under that tree. There’s a place just down the road where you can slide under the fence. Might tear your clothes up.”
Lucas wrote the man’s name and his phone number in his notebook: Art Prose. “I’d need to talk to your wife—I need to get a good description of the guy,” Lucas said. “Will she be around?”
“Oh, sure. I’ll tell her you’re coming. Name’s Alice. And I’ll be here for another half-hour or so.”
LUCAS WALKED DOWN the street to the tree. Looking through the chain-link fence, he could see what looked like toilet paper down the slope behind it, and plastic wrappers from food cartons, and a white plastic fork. He could see corners of the cardboard boxes, but not much.
A little farther down, he found the slide-under place, where water coming off the sidewalk had been flowing over the bluff toward the river. He’d get dirty going under, he thought, but what the hell. He took off his jacket, hung it on a tree branch that poked through the fence, and slid as carefully as he could under the wire.
A narrow dirt trail, no more than a foot wide, led from the slide-under place to the tree. The bluff going down to the river was steep, and he had to hang on to the brush to keep his balance.
The tree was huge, and canted slightly toward the river; the riverside roots were out in the air, and two empty boxes were wedged beneath them to make a cardboard cave. They were covered by a sheet of translucent plastic, like the kind painters used, but heavier. One edge of the plastic had been curled into a pipe that would collect water from the top of the boxes and empty a bit down the slope.
One of the boxes was pushed in horizontally, and was long enough to sleep in. The other was shorter, and upright, but high enough to sit in. The area around the boxes was littered with plastic and paper trash, the remains of magazines and newspapers. A green plastic Bic lighter was tangled in a bush down the slope, apparently discarded. Near the bottom of the slope, he could see tufts of rotting toilet paper around a clump of brush that was probably the man’s toilet.
The water washing under the tree would collect in a shallow gully, and clean up the toilet from time to time, Lucas thought.
So: the boxes.
Not much to see, but he’d have to call it in—maybe there’d be fingerprints or something. He got down on his knees for a better look into the boxes, and noticed a slit in the back of the bed box, and a fold. Like a cupboard, he thought. He wondered briefly if he might get some disease by crawling into the box, then got down, and crawled in.
He could smell the man, even after a month. He tried breathing through his mouth, but it didn’t help much. Well into the box, on his hands and knees, he reached back and pulled open the flap. It had been a cupboard, or something, he thought, a hole carved into the dirt, but it was empty now.
He crawled a bit deeper in and yanked the cardboard flap farther open . . . and saw the edge of
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