Brooklyn Noir
him?”
    “The motives are there for you, Sylv,” I say again. “And you had the opportunity. How tough would it be for you to smear the mustard and plant the clues on Scoop’s shirt, cuff, fly? Knock ’em all off with one big splash of doctored Gold’s Own, or was it French’s?”
    I.F. has been sitting cool and easy but now he stands up, starts smacking a fist into a palm. “We don’t use Gold’s mustard,” he says. “That’s Junior’s special blend. But when Junior’s delivers, it’s packets—no pre-smeared.”
    “You’ve obviously given this a lot of thought, sonny boy,” I say to I.F. “So, you’re telling me the sandwiches were made at Senior’s? You got your old man and his two cronies squatting right there in your step-mamalochen’s deli and it’s your call on what to do about them ordering out.”
    “This is too much. You’re insulting me.” Sylvia switches off the slicer and plunks into a chair. She’s sitting under a shot of Sandy Amoros’s spectacular running catch of Berra’s fly ball in the seventh game of the ’55 Series.
    “Let’s assume the sandwiches were made here that fatal day. Nothing to do with Junior’s. That suggests our killer is a home team spoiler.”
    “James Lamar, where are you when I need you?” Sylvia says again. “I want that coffee black.”
    “You’re saying my father has been framed, and the killer, the person who smeared the mustard, works right here at Senior’s?” The kid breaks off and, with a wry smile right out of the L.A. handbook,
We Own the Dodgers Now
says, “Why not me? Abandoned son. Oedipus knocks off King Laius, also known as Seamus ‘Scoop’ O’Neil, and in the next act, according to your script, I marry Iocasta, also known as Mama Sylvia, and I inherit the Kingdom of Senior’s.”
    “Marries his mother?” Sylvia repeats. “That is the most disgusting story I ever heard. I’ve had enough of you, Pistol Pete. I shoulda known better…”
    “Let him talk,” I.F. says, as the door from the kitchen swings open and a guy must be my age comes limping in carrying a tray of mini-deli sandwiches and a decanter of java.
    “Tea time,” I say, trying to change the mood. “Don’t mind if I do.” I move to the tray like Robinson feinting off third base. Then I sit back and say, “I’m not saying it is, just could be.”
    “So?” I.F. says. The Dodger cap is rotated so the logo no longer faces me. “Sylvia or me—who’s your pleasure?”
    “Youse want skimmed or regular with the coffee?” James Lamar is wearing a baseball cap, too, with the logo facing the wall. “Wese outa half an’ half.”
    “Excuse me, James Lamar,” I say. “Anybody ever call you Dusty?”
    The smile is big as Willie Mays’s glove making the basket catch. “For shure. For shure. And how’d you know dat?”
    “Ladies and gentlemen,” I say like Walter Alston calling Clem Labine in from the bullpen, “we got our
deus ex machina.”
    James Lamar—Dusty!—plunks the tray down and makes a move for the mustard jar.
    I’m on my feet, pull out the ole Smith and Wesson for which I plunked down 250 smackeroos for the permit just last year without any thought of ever using it again. “Not so fast, Dusty,” I say. “And if you don’t mind, would you be so kind as to pull the visor of that cap around?”
    Sylvia is still not convinced. “What’s that got to do with anything? What is going on here? And that Day Ox you was talking about…”
    “Deus ex machina,”
I.F. corrects her. “God from the machine. Introduced at the last minute often by a crane in ancient Greek and Roman drama to resolve an insoluble dilemma.”
    “On the button,” I say to I.F. “And if you will be so kind as to take a gander at Dusty’s cap, you can appreciate the motive for murder.”
    “I don’t see nothing,” Sylvia says, “only a crummy old baseball cap with an SF logo.”
    “The logo of the San Francisco, formerly New York, Giants,” says I.F. as the

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