on the strikers. The city was in an uproar, with each side blaming the other. More dynamite was found, some in the cemetery and some in a shoe shop right next door to the radical printing shop where Joe Ettor went every day to collect his mail. The authorities were both outraged and triumphant. Didn't the dynamite prove what they had contended from the beginning—that nothing but violence and disorder would result from this illegal strike?
Rosa was desperate. "Mamma, please. If they are storing dynamite..."
"Who is storing dynamite! Nobody, I say. It'sa Mr. Billy Wood'sa monkey tricks!" The madder Mamma got, the less American she sounded.
"You don't know that, Mamma, not for sure."
Mamma looked at Rosa, her nostrils flaring. "Don' believe everything that teacher say, Rosa. She don' know the heart of Mr. Billy Wood like I do."
"She
does
know Mr. Wood. She said so. He used to be a worker himself. He really cares about workers."
"Rosa! Look at this apartment! He give us this—we only pay little rent, yes? He so kind heart to us he give me six dollar twenty-five cent a week for work and take back six dollar for rent. Oh, yes, he got big heart for me. Him with his six house and so many cars he don' count how many. Oh, yes, sir, he care so much about his people in the mills." She stopped only long enough to catch her breath. "You know why dynamite found in Mr. Marad's shop—huh, you know?" She didn't wait for an answer. "Because Mr. Marad lead best parade yet with his big Syrian band is why. Now he in jail. No more good band for parade. That's all Mr. Billy Wood think. He don' care innocent man in jail."
Rosa shrank back. Sometimes she was as frightened by Mamma's rage as she was by the events happening in the streets.
School became a kind of refuge. Even though Miss Finch never failed to condemn the strike, Rosa could almost close her ears to that and focus her anxieties on performing well in arithmetic and history and, above all, in English. She
would
be an American, an educated, civilized, respected American, not a despised child of an immigrant race. When she grew up, she'd change her name and marry a real American and have real American children. She wouldn't go out to work in a mill and leave them in the care of someone's old granny who couldn't even speak English. She'd stay home herself and cook American food and read them American books and ... But even as she thought these determined thoughts, somewhere in the back of her mind she could smell rigatoni smothered in tomato sauce with bits of sausage in it and could hear her mamma's beautiful voice singing
Un Bel Di.
Bread and Rosa
To Rosa's relief, the boy didn't come knocking again. When Mamma asked about him, Rosa said something vague—"He wasn't in school today"—something even Father Milanese couldn't classify as a lie. She didn't want to lay one more sin upon her soul on his account. She went to confession on Saturday and got the first lie off her conscience, the one about knowing him from school, so that she could take Communion. She went to Mass alone. Mamma and Anna were too busy meeting and parading. She came home feeling as though an icicle had pierced straight through to her belly. She was cold and hungry, but it wasn't just that. She was angry. Why should she have to carry the burden of piety for the whole household? It was as though the strike had become their religion, with Joe Ettor their priest.
As soon as she stepped into the apartment, Rosa could hear the excited babble of women's voices coming from the kitchen. Even when there was momentary quiet for one voice to speak, the words were immediately interpreted in a noisy tangle of languages, louder than the roar of water over the river dam. The door between the front room and the kitchen was open, and over the racket she could hear Mrs. Marino's shrill voice speaking in such rapid Italian that she had to strain to understand. She assumed at first that Mrs. Marino's excitement was over Arturo
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