the iron switched on, it seemed insufficient reason for him to move. “Neither men nor women shall we be in the world to come,” the voice was intoning. “The flesh shall be freed of the lusts that have blinded us to the truth.”
He blamed sex for everything, Bright mused, and instantly he remembered. EVANGELIST IS VOODOO WIDOWER , the headline inside a tabloid had said, months ago. The priest had gone to Haiti to save his wife’s people, only for her to return to her old faith and refuse to go home with him. Hadn’t he been quoted in the paper as vowing to use his enemies’ methods to defeat them? Certainly he’d announced that he was renaming himself Lazarus. His voice seemed to be growing louder, so loud that the speaker ought to be vibrating. “The Word of God will fill your emptiness. You will go forth to save your fellow man and be rewarded on the day of judgment. Man was made to praise God, and so he did until woman tempted him in the garden. When the sound of our praise is so great that it reaches heaven, our savior shall return.”
Bright did feel emptied, hardly there at all. If giving in to the voice gave him back his strength, wouldn’t that prove it was telling the truth? But he felt as if it wanted to take the place of his entire life. He gazed at the photograph, remembering the good-byes at the bus station, the last kiss and the pressure of her hands on his, the glow of the bus turning the buds on a tree into green fairy lights as the vehicle vanished over the crest of a hill, and then he realized that the priest’s voice had stopped.
He felt as if he’d outwitted the tape until a choir began the hymn he had been hearing all day. The emptiness within him was urging him to join in, but he wouldn’t while he had any strength. He managed to suck his bottom lip between his teeth and gnaw it, though he wasn’t sure if he could feel even a distant ache. Voodoo widower, he chanted to himself to break up the oppressive repetition of the hymn, voodoo widower. He was fending off the hymn, though it seemed impossibly loud in his head, when he heard another sound. The outer door was opening.
He couldn’t move, he couldn’t even call out. The numbness that had spread from his thumb through his body had sculpted him to the chair. He heard the outer door slam as bodies blundered voicelessly about the vestibule. The door to the room inched open, then jerked wide, and the two overalled figures struggled into the room.
He’d known who they were as soon as he’d heard the outer door. The hymn on the tape must have been a signal that he was finished—that he was like them. They’d tampered with the latch on their way out, he realized dully. He seemed incapable of feeling or reacting, even when the larger of the figures leaned down to gaze into his eyes, presumably to check that they were blank, and Bright saw how the gray, stretched lips were fraying at the corners. For a moment Bright thought the man’s eyes were going to pop out of their seedy sockets at him, yet he felt no inclination to flinch. Perhaps he was recognizing himself as he would be—yet didn’t that mean he wasn’t finished after all?
The man stood back from scrutinizing him and turned up the volume of the hymn. Bright thought the words were meant to fill his head, but he could still choose what to think. He wasn’t that empty, he’d done his bit of good for the world, he’d stood aside to give someone else a chance. Whatever the priest had brought back from Haiti might have deadened Bright’s body, but it hadn’t quite deadened his mind. He fixed his gaze on the photograph and thought of the day he’d walked on a mountain with her. He was beginning to fight back toward his feelings when the other man came out of the kitchen, bearing the sharpest knife in the place.
They weren’t supposed to make Bright suffer, the tape had said so. He could see no injuries on them. Suppose there were mutilations that weren’t visible?
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