in the dark, standing on the sidewalk facing Jorieâs house, their conversation feels oddly intimate. âYouâre absolutely right. Heâll have to fight those crazy charges.â
The Williams girl has left her jar of fireflies on the porch steps. Yellow orbs of light whirl against the glass.
âWill you look at that,â Barney says. Heâs talking too much and he knows it, but he may never get another chance to have Charlotte Kite listen to him. He might as well take advantage of the moment, for it will surely never come again. âSo bright you could read by the light of those bugs.â
âWell, theyâll be dead by morning.â
Charlotte turns and looks him over. Barney lives two blocks away from her, in one of the brand-new pseudo-Victorians on Evergreen Drive, built a good century after the Monroe family went bankrupt and sold off parcels of land, but frankly. she doesnât know much about him. She does take note of his Lexus, however. Itâs a rather surprising choice for a large, plain man such as Barney, but perhaps he needs to show off his success. Itâs all coming back to Charlotte; he was one of the kids people used to make fun of in high school. He was heavy and plodding and far too shy to ask out any of the girls. Now heâs rich and has three beautiful daughters, and Charlotte has nothing. âIâll bet youâre one of those expensive lawyers, â
âWell, I am,â Barney admits. âBut Iâm good.â
âIâm happy to put up some money for Ethan and Jorie, If it comes down to it.â
Charlotte tosses her cigarette onto the sidewalk and red sparks rise upward. She may seem a little hard, but sheâs anything but, and Barney isnât the least bit surprised by her offer.
âIâm sure theyâd appreciate that.â Barney thinks of his daughters, safe in their beds, and he knows he wonât be able to sleep tonight. Heâs something of an insomniac, and he often spends nights in an easy chair pulled up to the window in the living room. From the heights of his house on Evergreen Drive, beyond a hill where there used to be nothing but orchards, the very spot where Ella Monroe herself was married so long ago, he is always surprised to see a few lights blinking in Monroe after midnight. On street after street, there are sleepless, unhappy people, much like himself, trapped like fireflies inside their own houses.
âI think I see Jorie.â Barney has spotted a shadow in an upstairs window. The curtain moves in the breeze. A few faded cherry blossoms dip through the sweet, dark, honeyed air, and Barney inhales deeply. He thinks of the first time he saw Charlotte Kite, when she wasnât more than fourteen. He thinks of the way her red hair gleams in the sunlight in the mornings, as she stands behind the counter in the bakery. He realizes that Charlotte smells delicious, her aroma much sweeter than the honeysuckle in the night air, as if she could never wash the scent of chocolate or the granules of sugar from her skin. Oh, how he wishes he could tell her what heâs thinking. He knows he has a foolish look on his face, the stupid expression of bliss.
âIâve got an extra key,â Charlotte declares. âIâm going on in.â
When she starts up the walkway, Barney keeps pace with her, but Charlotte quickly sets him right. âI donât need any help, if thatâs what you were thinking.â
âOh, no, of course not.â Barney recalls that sheâd said something like this to him once before, ages ago, when they were in school. Charlotte had dropped her books in a rush to get to class, and heâd knelt to help gather some of the fallen papers. Sheâd looked him straight in the eye and told him not to touch anything. Heâd felt as though sheâd burned him with a single remark. His fingertips had puckered and blistered afterward, and heâd had to
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