interruptions to your busy day?â
âOf courseâ¦pleaseâ Alexis acknowledges that his delaying tactics have failed and he now knows he must resign himself to the necessities of a police interview, âwe can use this room over here.â Alexis shows them to a small meeting room on the other side of the hallway and emphasises with a degree of venerable authority âBut I do hope this wonât take too long?â
Bill is âan old sweatâ and wonât allow Alexis to take charge again. His response is decisive, âThat totally depends on how well you answer our questions Mr Vasilakos.â
DS Gibson is impressed. Bill is doing what he imagines few men have ever done to Alexis, -heâs not allowing the Greek to be top dog. Nowâ¦and only now, does John Gibson choose to look at the bodyguard. Itâs a slow, measured look and itâs straight in the eyes.
âMr Slater, please wait outside. We will interview you presently.â The bodyguard remains silent, like a prize-fighter at a weigh-in, revelling in the knowledge that the two policemen are intimidated by his presence.
Leaving the thug outside, Alexis, Bill and John enter the small meeting room and shut the door behind them. Once the three men have taken their seats, Bill puts a small cassette recorder on top of the table and after unwrapping two new audio tapes he loads them both into the machine.
âAre you comfortable and ready to begin?â
Alexis replies tersely âOf course I am, now can we please make a start?â his response makes it clear that heâs got a microscopic amount of patience.
There are two tapes used during every police interview. At the end, tape âAâ (the master tape) is sealed and signed by both the interviewee and the interviewing officer. Tape âBâ will be used to produce a transcript of the tape and for security purposes the tapes are numbered and get logged into a police register.
Once the tape machine is switched on, John Gibson is first to speak. âThis interview is being tape recorded. I am DS John Gibson. Also present isâ¦â, Bill speaks into the microphone âDI Bill Warrenâ
âWhat is your full name?â
âAlexandros Demitri Vasilakos.â His tone of voice emphasises his frustration at having to endure a period of police-enforced boredom.
âThe date is Tuesday 26th April 2011. The time by my watch is 11:20am, and this interview is being conducted at 60 Lombard Street.â Now Johnâs eyes settle their gaze on the fat businessman sitting on the far side of the table. âAt the end of this interview, I will give you a notice explaining what will happen to the tapes and how you may gain access to copies of them.â
John Gibson then cautions the interviewee with the time-worn phrase:
âYou do not have to say anything. But it may harm your defence if you do not mention when questioned something which you later rely on in Court. Anything you do say may be given in evidence. Do you understand the caution?â
âYes, yes.â replies Alexis impatiently.
âYou do understand that you have the right to speak to a solicitor in private at any time and the interview can be stopped in order for you to do this.â
âPlease donât patronise me Detective, I know my rights and there is no need for a solicitor. I have been the victim of a well planned, violent attack. Iâll tell you all I can if it helps you to stop the men responsible before they try and harm me again.â
Alexis goes on to explain that prior to Monday morning he hadnât had any warnings or threats from anyone. Also, he hadnât observed any suspicious behaviour in the weeks leading up to the incident. Nothing had occurred on his journey into the City on the morning of Monday 25th of April that was in any way out of the ordinary. He had seen the truck obstructing access to the bankâs garage and had
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