outfit to the ones both Anna and Nora were wearing. Obviously this was some kind of trick question. I had no idea what the answer was supposed to be.
âUmâ¦â
âOh, for Godâs sake, I donât have time for this,â Lucy said with exasperation. âI want to talk to you about this Italian book.â She handed me Damiano Veroâs manuscript. My notes were clipped to the top and I saw that Lucy had written all over them. âNow, I gather that you really liked this, yes?â
âYes, I thought the writing was great.â I scrambled to switch gears in an effort to keep up with Lucyâs broad jumps in topic.
âWell, it
is
very good, youâre right, but I have some questions. First of all, itâs set in Italy.â
âSome of it.â
âYes, itâs set in Italy and Americans are very xenophobic. They may not want to read about Italy right now.â
âBut what about
Under the Tuscan Sun
? Italyâs always been seen as so romantic,â I said. âBesides, when he gets to this country, he really cleans up his act. Itâs kind of an immigrant success story in a way.â I was beginning to warm to the discussion. Iâd almost forgotten about the files, the phone calls, and Noraâs glowering looks.
âThatâs another thing. I donât think this should be a memoir. Memoirsâ
especially
addiction memoirsâhave become the wicked stepchildren of publishing lately. Weâre going to have to call this something else.â
I watched as Lucy furrowed her brow in concentration.
âLetâs pitch it as autobiographical fiction,â she said finally. âThat should cover all the bases.â She gave me a sharp glance. âYou should be writing this down, Angel.â I looked down at my empty hands, debating whether or not to make a run for my desk for pen and paper. âNext time,â Lucy stated, âcome in here prepared, please. Now, is he still addicted? That would make a great angle. We could get him into rehab, give him interviews from a hospital or something.â
âActually, I think his point was that heâs clean now.â
Lucy shot me a disapproving look. âWell, weâll see what we can do about that. Much better if he
hasnât
cleaned up. This book could
be
his salvation instead of the book being
about
his salvation. Yes, yes, thatâs
much
better. What does he do?â
âHeâs a pastry chef.â
âNo, thatâs no good. Too many chef tales out there already. Weâre on the fourteenth minute of that story and the clockâs ticking.â She paused for a moment, tapping her Waterman fountain pen against the pages on her lap. âWeâll just say heâs unemployed. Impoverished and addicted. Thatâs much better. Heroin and pastry donât make a sexy combination. This stuff about the park is fabulous,â she said, flipping through the bent sheets. âIs the manuscript finished?â
âI donât know.â
She sighed. âThese are the things you really need to be paying attention to, Angel. Well, it doesnât matter. I can sell it on a partial with the right pitch. I can sell it asâ¦an Italian
Trainspotting.
Yes, thatâs it. Unless you think the heroin thing is played out at this point. Whatâs your take on that, Angel? Youâre young, you should know.â
âI donât think so,â I said tentatively. âIt never really seems to be, you know,
finished
really.â
âHas he contacted any other agents?â
âIâm not sure.â
âHavenât you spoken to him?â She seemed appalled.
âNo, Iââ
âI left a note on your desk about this. I mentioned, specifically, that you needed to call him as soon as possible.â
âIâm sorry, I didnât see it.â
She stared at me hard, as if weighing my answer for the truth in it.
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