from saying more. I pull together a ten-Âinch story, which includes the principalâs quote and rehashes what we already know about Jasmineâs disappearance.
By the end of the day, Iâve also written about a burglary in Concord and tips to avoid starting a fire in your home with candles. A waste of a day.
âEvans is chomping at the bit for a scoop,â Kellogg says as I leave. âYou better dig up something.â
At first I laugh at the cliché Kellogg uses because Evans truly does remind me of a horse, but then Iâm worried. If Kellogg feels the need to warn me, I might be in trouble. I fall into bed worrying about being taken off a story because the editors donât think Iâm doing a good enough job. Iâm surprised to realize I want this story.
Iâm the one who should tell Jasmineâs story. Iâm the one who can tell it best. I need this story, but it is going to slip through my fingers if I donât do something. I need a breakâÂa big one.
Â
Chapter 8
M Y SALVATION COMES from an unexpected quarter. My phone rings Saturday morning while Iâm walking home from playing chess on Market Street. Iâve spent the last few days leaving messages for Roberge, Donovan, and Kelly Baker. Being pesky has finally paid off.
âThis is Jasmineâs mama.â Her voice is slightly hoarse.
âThanks for calling,â I say, scrambling in my bag for a pen and notepad. I ask if we can meet in person. She tells me to be at their apartment in an hour. Iâm ecstatic. So far, the reclusive Âcouple has not talked to any other reporters. Itâs my big break.
K ELLY B AKER OPENS the door. Up close, sheâs tiny. Hipbones show above her baggy pants and her pixielike short blond hair gives her a tomboyish look. From far away, her slight body made her look like an adolescent, but up close, she appears much older than twenty-Âseven. I note the scabs on her arms, her acne, and her missing teeth.
âIâm Gabriella.â I stick out my hand, but she just turns and walks down the dark hall into the apartment, apparently expecting me to follow.
Richard Silva is lying in bed, bare-Âchested, when I walk into the depths of the apartment. He sits up bleary-Âeyed and lights a cigarette. He has a scruffy beard, and his long dreadlocks are pulled back in a ponytail so they hang down his back.
I guess there is no formality here. For a moment, I wonder if Iâm early. I check my watch. Nope, Iâm right on time.
Silva doesnât attempt to get up. The drapes are closed. The place reeks of stale cigarettes, and the main room is not much bigger than the Âcoupleâs queen-Âsize bed. The studio apartment is crammed with the bed, a TV on a milk crate, and a ripped love seat. Overflowing ashtrays, old beer cans, candles, and clothes are scattered on the floor, bed, and couch.
âThis is where Jasmine slept,â Baker says, and gestures to a little blue sleeping bag on the floor between a window and the bed. Near the top of the sleeping bag, a stuffed monkey is propped near some books and a Barbie doll. This sad little corner sums up her world. On the floor nearby, I spot a piece of school paper with a childâs loopy scrawl.
I pick it up while Silva goes into the bathroom, and Baker gets a diet soda out of the kitchen. The paper says, â âWhat I Wishâ by Jasmine Baker.â
The childish writing says, âI wish I had my own room. I wish I could have special Mommy and Jasmine time where we can read books and color. I wish Mommy didnât sleep so much. I wish I didnât make Daddy so mad. I wish we lived in a house. I wish I could go to Disneyland.â
The teacher put a gold star on top of the paper. I donât know why, but I quickly stuff it in my bag before Baker returns. Above the sleeping bag, a childâs drawing is taped to the wall. It depicts three figures holding hands. Words in red
Colleen McCullough
James Maxwell
Janice Thompson
Judy Christenberry
C.M. Kars
Timothy Zahn
Barry Unsworth
Chuck Palahniuk
Maxine Sullivan
Kevin Kauffmann