More road. A silence more awkward than the last.
This time Scott broke it. âDid Dennis tell you why my mom and I moved here?â
âMightâve mentioned it.â
âThatâs good he told you, âcause you were probably the only person in the whole town who didnât know.â
Wes glanced sideways. The kid was staring right at him, arms crossed over his chest. âYou get to see your father much?â
âMy mom makes me visit him every week. I wouldnât call it a âget toâ kind of thing.â
Wes could believe that. Theyâd tried, in a halfhearted sort of way, to make the visiting room at the old prison somewhat welcoming. There was a mural on one wallâa flat, childlike painting of the landscape that lay outside the gateâand a soda machine that dispensed off-brand cola. But no two ways about it, the place had been depressing as hell, and he doubted the new prison was any better. Wes never could decide what was worse: the visits where the inmate and his visitor sat stiffly, barely talking, or the ones where they held hands across the table and stared into each otherâs eyes until you had to just about drag one or the other of them out. Scott, Wes guessed, was one of the former. The barely-talkers. But you could never tell.
âSo what do you do?â Scott asked. âFor a job.â
âIâm retired.â
âFrom what?â
Wes steered around a flattened, sodden piece of cardboard in the road. âI was a musician,â he said. Sounded like a lie.
The kid raised his metallic eyebrows. âSeriously?â
âYeah.â He could feel Scottâs eyes on him and felt oddly nervous. Wondered if the kid could tell heâd been a CO, if it was apparent somehow in the way he moved, the way he talked. Sometimes it seemed that criminals could sense a cop a long way off; maybe it was hereditary.
Scott leaned forwardâfor a moment Wes thought he was going for the glove compartment; he remembered the revolver and his heart seizedâand punched the power button on the radio. Music filled the cab, accompanied by grating static. Never could get a clear signal in the canyon. âCountry, huh?â
âNot your cup of tea, Iâd guess.â
The kid surprised him. âA lot of it sucks. But some of itâs all right. The older stuff.â
âI played the fiddle.â
âYeah?â
âOld-time, mostly. Some bluegrass.â
âI hear strings are hard.â
âHard to do right,â Wes agreed.
âIâm a singer.â
Wes thought about that. Maybe the kid was a singer the way every kid thought he was a singer. They all wanted to be famous, stand at center stage with folks screaming their name and begging for autographs. Thought they could do it, too, with all the shows on TV now promising instant celebrity. Most of them had no idea how talentless they were. But something in the way Scott said itâplain, confident, no mitigating âkind ofâ or âpretty goodâ or even âwant to beââmade Wes think there might be something to it.
They came around a curve, and Black River spilled along the canyon before them. Not raining quite as hard here. The sun occupied a horizontal gap between cloud and mountain over the south slopes, and light glared off the wet asphalt. âI always thought if I was going to learn to play something it would be the guitar,â Scott said. âBut maybe fiddle would be cool, too.â
Wes didnât say anything.
âCan you still play?â
He looked at Scott. The kid rubbed a thumb over his nose, across his freckles, and looked about five years younger than he had when he got into the truck. His eyes were on Wesâs hands, hooked over the yoke of the steering wheel.
Wes didnât answer him.
Â
He and Dennis shared dinner that night, the first time theyâd sat down together rather than stood over the
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