Big City Girl

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Authors: Charles Williams
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about the dawg?”
    “No,” Mitch said coldly. “The dawg’s only been around here for about nine years, since she was six years old. And he’s been gone for two days now. She’s all over that.”
    Cass was silent for a few minutes, then he asked, “You think maybe Sewell will get away from “em?”
    “No,” Mitch said. “He won’t get away.”
    “Well, they ain’t found no sign of him yet.”
    “They will.”
    “How can you say that?” Cass complained. “Don’t nobody know. He might.”
    “Ain’t nobody can get away from ‘em when they want him bad enough.”
    Cass sighed. “Well, it’s easy enough to say if you just don’t care, I reckon.”
    Mitch pushed back his chair and got up.
    “Sure wish I could get around,” Cass said plaintively, “It’s saddening to a man not to be able to do his part when there’s so much to be done.”
    Mitch did not answer. He went on out into the back yard. Jessie was building a fire under the big soot-blackened washpot, fanning the blaze with an old straw hat to get it started.
    Mitch stopped and looked down at her. “You ought to eat some breakfast.”
    “I didn’t want any.”
    “You ought to eat something anyway. It ain’t good for you, doing without.”
    “I’m just not hungry, Mitch.”
    “You’re going to be sick if you keep this up.”
    “I’m all right.”
    What can you tell her? he thought. He stood there for a moment looking down at her forlorn pretense of industry with the fire, wishing he could think of something to say that would help, and then he turned and strode down toward the barn.

Eight
    Grass was something you could fight. It was an enemy you could see and touch and could come to grips with when the rain stood back and gave you a chance. It was waiting for you there in the cotton, long-leaved and rank and wet with the dew, sucking the food out of the ground and growing fat while it robbed you of your living. It was an arrogant enemy and hard to kill and there never seemed to be any end to it, but at least it was out in the open waiting for you, and when you slid the steel of the heel sweeps under it and turned it roots up to the burning anger of the sun it died and you had won a little something. There was nothing evasive about it and it was no will-o’-the-wisp you were chasing in the dark. It was rooted in the ground, as in a way you were rooted in it, and it would stand there and fight you for the ground and for survival, and when you brought your violence to it it didn’t change shape on you and fade away like water slipping through your fingers.
    You saw Sewell going away, and Jessie’s sadness, and when you tried to fight it there was nothing you could hit. You tried to reason with Cass about the crop and about the dog and it was like chasing smoke with a minnow seine. There was nothing solid about any of it that you could get your hands on. You lay awake when you were dead tired and needed the sleep, lying there on the cot in the darkness thinking of hunting squirrels with Sewell and running the setlines at night along the river’s banks with the pine torch blazing and sputtering and throwing your long-legged shadows against the trees, hunting coons with him to the baying of hounds on frosty, starlit winter nights a long time ago before he began to get in trouble, and all the other things you used to do with him and the way you always had to run to keep up with the endless vitality of him. You thought of him then and you thought of him now, and it was like a sickness eating at you from the inside where you couldn’t get at it.
    But with the crop, thank God, it was different. You could still lose because the rain could whip you and the boll weevils could whip you and any one of a half-dozen other things could do it too, but at least you were fighting something you could see and when you hit it you could feel something solid under your hand. It was an elemental problem, with nothing fancy about it. The crop was there, and

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