even—why not?—packs of Australopithecines, tribes of Neanderthals. For the amusement of the deads, whose games tend to be somber. Sybille wonders whether it can really be considered killing, this slaughter of laboratory-spawned novelties. Are these animals real or artificial? Living things, or cleverly animated constructs? Real, she decides. Living. They eat, they metabolize, they reproduce. They must seem real to themselves, and so they are real, realer, maybe, than dead human beings who walk again in their own cast-off bodies.
“Shotgun,” Sybille says to the closest porter.
There is the bird, ugly, ridiculous, waddling laboriously through the tall grass. Sybille accepts a weapon and sights along its barrel. “Wait,” Nerita says. “I’d like to get a picture of this.” She moves slantwise around the group, taking exaggerated care not to frighten the dodo, but the dodo does not seem to be aware of any of them. Like an emissary from the realm of darkness, carrying good news of death to those creatures not yet extinct, it plods diligently across their path. “Fine,” Nerita says. “Anthony, point at the dodo, will you, as if you’ve just noticed it? Kent, I’d like you to look down at your gun, study its bolt or something. Fine. And Sybille, just hold that pose—aiming—yes—”
Nerita takes the picture.
Calmly Sybille pulls the trigger.
“ Kazi imekwisha ,” Gracchus says. “The work is finished.”
S IX
Although to be driven back upon oneself is an uneasy affair at best, rather like trying to cross a border with borrowed credentials, it seems to be now the one condition necessary to the beginnings of real self-respect. Most of our platitudes notwithstanding, self-deception remains the most difficult deception. The tricks that work on others count for nothing in that very well-lit back alley where one keeps assignations with oneself: no winning smiles will do here, no prettily drawn lists of good intentions.
Joan Didion: On Self-Respect
***
“You better believe what Jeej is trying to tell you,” Dolorosa said. “Ten minutes inside the Cold Town, they’ll have your number. Five minutes.”
Jijibhoi’s man was small, rumpled-looking, forty or fifty years old, with untidy long dark hair and wide-set smoldering eyes. His skin was sallow and his face was gaunt. Such other deads as Klein had seen at close range had about them an air of unearthly serenity, but not this one: Dolorosa was tense, fidgety, a knuckle-cracker, a lip-gnawer. Yet somehow there could be no doubt he was a dead, as much a dead as Zacharias, as Gracchus, as Mortimer.
“They’ll have my what?” Klein asked.
“Your number. Your number. They’ll know you aren’t a dead, because it can’t be faked. Jesus, don’t you even speak English? Jorge, that’s a foreign name. I should have known. Where are you from?”
“Argentina, as a matter of fact, but I was brought to California when I was a small boy. In 1995. Look, if they catch me, they catch me. I just want to get in there and spend half an hour talking with my wife.”
“Mister, you don’t have any wife any more.”
“With Sybille,” Klein said, exasperated. “To talk with Sybille, my—my former wife.”
“All right. I’ll get you inside.”
“What will it cost?”
“Never mind that,” Dolorosa said. “I owe Jeej here a few favors. More than a few. So I’ll get you the drug—”
“Drug?”
“The drug the Treasury agents use when they infiltrate the Cold Towns. It narrows the pupils, contracts the capillaries, gives you that good old zombie look. The agents always get caught and thrown out, and so will you, but at least you’ll go in there feeling that you’ve got a convincing disguise. Little oily capsule, one every morning before breakfast.”
Klein looked at Jijibhoi. “Why do Treasury agents infiltrate the Cold Towns?”
“For the same reasons they infiltrate anywhere else,” Jijibhoi said. “To spy. They are trying to compile
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