telling only of a deserted city, haunted only by the dead.
Why had the man dwelt in this desolate spot, and to what unknown destination had his servants departed after disposing of their master’s corpse?
Conan shrugged his shoulders and thrust the parchment back into his girdle — he started violently, the skin on the backs of his hands tingling. Startlingly, shockingly in the slumberous stillness, there had boomed the deep strident clangor of a great gong!
He wheeled, crouching like a great cat, sword in hand, glaring down the narrow corridor from which the sound had seemed to come. Had the priests of Keshia arrived? This was improbable, he knew; they would not have had time to reach the valley. But that gong was indisputable evidence of human presence.
Conan was basically a direct-actionist. Such subtlety as he possessed had been acquired through contact with the more devious races. When taken off-guard bysome unexpected occurrence, he reverted instinctively to type. So now, instead of hiding or slipping away in the opposite direction as the average man might have done, he ran straight down the corridor in the direction of the sound. His sandals made no more sound than the pads of a panther would have made; his eyes were slits, his lips unconsciously asnarl. Panic had momentarily touched his soul at the shock of that unexpected reverberation, and the red rage of the primitive that is wakened by threat of peril, always lurked close to the surface of the Cimmerian.
He emergedpresently from the winding corridor into a small open court. Something glinting in the sun caught his eye. It was the gong, a great gold disk, hanging from a gold arm extending from the crumbling wall. A brass mallet lay near, but there was no sound or sight of humanity. The surrounding arches gaped emptily. Conan crouched inside the doorway for what seemed a long time. There wasno sound or movement throughout the great palace. His patience exhausted at last, he glided around the curve of the court, peering into the arches, ready to leap either way like a flash of light, or to strike right or left as a cobra strikes.
He reached the gong, stared into the arch nearest it. He saw only a dim chamber, littered with the debris of decay. Beneath the gong the polished marble flags showed no footprint, but there was a scent in the air — a faintly fetid odor he could not classify; his nostrils dilated like those of a wild beast as he sought in vain to identify it.
He turned toward the arch — with appalling suddenness the seemingly solid flags splintered and gave way under his feet. Even as he fell, he spread wide his arms and caught the edges of the aperture that gaped beneath him. The edges crumbled off under his clutching fingers. Down into utter darkness he shot, into black icy water that gripped him and whirled him away with breathless speed.
2. A Goddess Awakens
The Cimmerian at first made no attempt to fight the current that was sweeping him through lightless night. He kept himself afloat, gripping between his teeth the sword, which he had not relinquished, even in his fall, and did not even seek to guess to what doom he was being borne. But suddenly a beam of light lanced the darkness ahead of him. He saw the surging, seething black surface of the water, in turmoil as if disturbed by some monster of the deep, and he saw the sheer stone walls of the channel curved up to a vault overhead. On each side ran a narrow ledge, just below the arching roof, but they were far out of his reach. At one point this roof had been broken, probably fallen in, and the light was streaming through the aperture. Beyond that shaft of light was utter blackness, and panic assailed the Cimmerian as he saw he would be swept on past that spot of light, and into the unknown blackness again.
Then he saw something else: bronze ladders extended from the ledges to the water’s surface at regular intervals, and there was one just ahead of him. Instantly he struck out for it,
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