brazenly, surprising myself, âYeah, well, I canât wear bike gear all the time either. Shame huh?â
Ricardo shrugs one shoulder and smirks at me. âYou look fine,â he says, half closing his eyes.
I restrain a frown, and then turn and wave to a waiter as a welcome distraction. âOh!â I say.
âSâil vous plaît?â
But the waiter ignores me with studied expertise. âTheyâre incredible here,â I say, turning back to Ricardo. But heâs standing, pulling a banknote from his wallet and pushing it under the ashtray.
âIâm sorry,â he says, shrugging. âI really
do
have to go.â He glances at his watch. âI have a
â¦
â he cockshis head,
ârendezvous?â
I nod. âA meeting.â
He winks at me and nods and smiles again. âYes, a meeting. At two.â
âOh, I
â¦
â I say, looking up at him and taking his outstretched hand.
He shakes my hand solidly and then keeps hold as he says, âMaybe another time. Iâm usually here on Wednesdays. As long as itâs sunny.â
I nod and say, âSure,â and I start to wonder about the overly long handshake. I notice my heart speeding up again. âIâll keep watch
â¦
I mean, a look out
â¦
an eye open for you,â I say in a confused manner.
Ricardo smiles and releases me, then says with another wink, âIâll keep a look out for you too.â And with this he spins and walks away.
I shake my head and finger the ashtray and Ricardoâs banknote. I move round to take his seat â itâs facing the sun. Itâs still warm from his arse. I swallow hard and blow a little air between my lips and think,
âWhat the hell was that?â
âAutres choses?â the waiter asks, apparently unaware of the change of occupant at Ricardoâs table.
âOui, un café,â I tell him, âsâil vous plait.â And he grabs the plate, dumps the knife, fork and napkin on it and sweeps away leaving me to sit and think about Ricardoâs body language.
The problem, I realise, is that I donât know what his gestures, the long handshake, the eye contact, the face-cracking smile, might mean to a straight guy, to a straight
Colombian
guy â Iâm trying to interpret them through my own built-in dictionary, but it doesnât work, because my own vocabulary of male-to-male contact is all about sex and attraction. But straight men presumably do actually meet people they like sometimes, and occasionally they must decide to make an effort to befriend them, and so maybe Ricardoâs winks and smiles are just innocent signalswithin a language â a foreign language â of heterosexual male bonding?
I realise, I think for the first time in my life, just how vague my grasp of that language, those rites, actually is.
âMaybe I can learn with Ricardo,â I think. âMaybe he can be my new, straight friend. I could catch him here, next Wednesday, and we could talk about motorbikes
â¦
Maybe we can go on bike rides together. He said his girlfriend isnât keen.â
But my dick is stirring at the image in my mind â of Ricardo on the back of my bike â and it forces me to take in the truth of the situation.
âWho am I kidding?â
I think. The answer clearly is â
not even myself.
And with the realisation that my heart is pounding and that, beneath the table, my dick is distinctly heavier than normal; that Iâm blushing and fantasising about a guy I donât know at all, a fireman from
God-knows where
, I start to feel guilty, and so I think of Tom and his gift beneath the chair, and realise that it is a case of the pot calling the kettle black; that his cyber-crimes, put into perspective by my own thought-crimes, really arenât so bad after all.
By the time I get home the Parka strikes me as an insignificant gift. Itâs probably something to do with
Warren Adler
Bruce Orr
June Whyte
Zane
Greg Lawrence, John Kander, Fred Ebb
Kristina Knight
Kirsten Osbourne
Margaret Daley
Dave Schroeder
Eileen Wilks