and asked her the same question, and the woman replied, âIâm here because I hope to be sleeping with the author in the very near future.â
I had no idea whether she meant it, but it was a good line and it might have brought the house down if thereâd been a house. As it was, Ruth Harris scowled at her murderously and brought the event to a close. She was now regarding me sourly and, thank God, was no longer offering me dinner.
A part of me thought that Nicola and I should go off with Gregory, and Iâd tell her that this was the real author. This might help her see the funny side, at least make her realise that Gregory was no monster and that I hadnât done anything so very terrible. I had no particular desire for reconciliation, but I was vain enough not to want her to continue to think badly of me. The drawback was that this would mean abandoning the woman whoâd expressed a desire to sleep with me in the very near future. I could hardly make these explanations while she was present, and I very much wanted her to be present.
But as it turned out, neither Gregory nor Nicola stuck around a moment longer than necessary; and neither of them wanted to be with me. In fact, they left together, and that confused me even more. Had he picked her up on the way to the bookshop? Were they now going off for drinks and flirtation? It hardly seemed likely given what I knew about both of them, but even if they were just walking to the station together, I wondered what on earth they were saying to each other.
Nicola still had no idea who this stranger was. Would she tell him that I was a fraud? Would he then tell her he knew all about it, that heâd set it up, that he was the person I was pretending to be? Would she be as angry with him as she had been with me? And then what? I couldnât imagine and, besides, I had other things on my mind, chiefly the woman in the hornrims. Were
we
about to go off for drinks and flirtation? Well, yes and no. She introduced herself as Alicia Crowe, a name that struck me as utterly unfitting, and said sheâd like to talk to me professionally. I assumed she wanted to interview me for the piece I thought she was writing for the local paper, so a few minutes later she and I were indeed sitting in a pub together, having managed to leave a vexed and disappointed Ruth Harris behind, and I was asking the one thing I wanted to know.
âDid you mean what you said?â
She replied, âWouldnât it be really shallow to want to sleep with someone just because you liked a book theyâd written?â
âWellââ
âI mean it would be almost as shallow as wanting to sleep with them just because they had nice hair or good cheekbones, wouldnât it? Why does anybody ever sleep with anybody? Is it just habit? Or animal instinct? Or to satisfy their own vanity?â
At first I assumed this was a rhetorical question, but she continued to stare at me through the hornrimmed glasses, and it was clear she wanted an answer. I thought for a second of what a handsome couple she and I could make, even more appealing than Nicola and me, but perhaps this was what she meant by vanity.
âI suppose people sleep together because they want excitement, fun, warmth, closeness, comfort, love,â I said.
âOh yes,â she said, âthey
want
those things, but is sleeping with someone likely to provide them?â
âIf youâre lucky.â
She nodded thoughtfully, as if Iâd given an eccentrically challenging answer.
âYouâre full of surprises,â she said. âI didnât think the author of
The Wax Man
would be very interested in warmth and closeness.â
âTrust the teller not the tale,â I said.
She knew I was being glib, and perhaps that surprised her too.
The Wax Man
may have had many failings as a novel, but glibness wasnât one of them.
âI suppose saying that I hoped to be sleeping with the
Dorothy Dunnett
Becky Young
M. Evans
David Adams
Stuart Clark
Sylvia Crim-Brown
Katrina Nannestad
Three Men Out
Shirlee McCoy
Jayne Castle