Bedlam and Other Stories

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Authors: John Domini
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those brief moments. But then, to wait…to know what was about to happen…every single time I wondered if I could possibly survive (though how I got the idea that there is anything besides survival, I cannot imagine), and yet every single time I survived, and Miplip survived, and together we would return to ourselves, transient Lords of partial Torture over some of our unforgiven subjects.
    If I was cruel about keeping what I knew from Miplip, it was not so much because of him and me as because of our audience. What happened to Miplip during ecstasy was, from the point of view of our spectators, hilarious.
    It soon became obvious that our public intercourse was having an opposite effect from the one intended. When, at the close of each performance, Miplip and I broke apart and attacked our charges, pronging and clawing and whipping, they seemed to welcome us. They laughed—or grinned and shook, at least. They toyed with us, feinting and parrying my thrusts, trying to grab hold of my overseer’s whip. They picked up flakes of stone or handfuls of excrement and heaved them at us. Worst of all, they clasped each other and rolled around in vicious imitation of our intimacy. Miplip recognized what they were doing, but unlike me he did not understand.
    Yet my overseer did not, as I was certain he would, put an end to our shows. His reaction, in fact, was unlike anything I had seen in Miplip before.
    Concerning other matters besides our assignations, he became meaner and more superior than ever before. He strutted and floated around our domain in every kind of insulting disguise, railing at me, bragging of trips to earth and to Dis, drumming in his greater knowledge, greater status, greater gifts. At no time did he let slip an opportunity to tear at the skin of my feelings and expose— there! —one of my nerves. Perhaps my memory is not entirely accurate, for his infinite unkindnesses do tend to become confused, but I know that it was during this period that once in a while I looked upon our love-making as a form of revenge: well, it serves him right . More often, however, I got my revenge simply by keeping silent. Whenever I could summon up the strength, I fielded his insults without a word. I would not give him the satisfaction; I made no response. And Miplip, Miplip. This forebearance, when I could hold it, drove you to your wildest excesses. It was degrading. Even I was surprised, my overseer lost control of himself so utterly: falling into apoplectic riots of crack-voiced provocation, involuntarily changing shape, becoming several different creatures at once with several different parts of his body, and descending even to physical abuse. Miplip, what did you need, to put yourself through such abasement?
    Yet concerning our performances his behavior was just the opposite. Miplip became uncertain, tentative. He made four or five suggestions, more or less along the lines of dropping the show, or nine or ten suggestions, or nineteen or twenty-nine or maybe ninety, but all of them were no more than the merest suggestion. “Only mentioning it,” he was, in a voice devoid of belligerence, sounding halfhearted, half himself, half afraid. He sounded a bit like those demons with whom we had discussed the human passerby. I find I cannot fully reconstruct any of these conversations in which Miplip spoke of putting an end to the performances, and this lapse of memory is the natural result of the way in which he always handled the subject. Miplip talked of it as if he wanted me not to notice.
    So our trysts continued, if somewhat less regularly than before.
    Perhaps my overseer’s problem was essentially one of conscience. He wanted to do a good job, but he could no longer be sure what was torture and what was not. Certainly, our duty had never been so open to interpretation, so questionable, or so strangely involving. It was infuriating to admit not knowing where you stood. Myself…but I have already

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