and forth in my grandfather’s chair. Or I go find a place along the trenches where it’s nice and quiet, and I fill that place with hot tears.
So this is the thing I learned from Claire: Crying isn’t simply about opening the floodgates to some private trauma and letting it out—crying is just as much about letting those around you know you’re hurting. Our tears are trying to serve a purpose, but we rarely let them. I don’t know how we got started with subverting that purpose—maybe it starts with bullies in middle school, or parents telling their kids not to cry ’cause it embarrasses them in public—I just know that it takes a bit of courage to unlearn that shame, and to be there for others when they try to unlearn that shame, and that it all gets easier after you feel how healthy it is.
Beacon 1529 fills my lifeboat’s canopy while I muse on these things. I swing to the side and dock up to the magnetic collar that leads to the airlock. It’s a ten out of ten on the pilot-o-meter. When I pop the hatch, Cricket goes bounding inside, looking for Claire, who shouts down from the life support module to come on up. NASA did not build these ladders with boyfriends holding flowers and chocolate and cheese in mind. I climb with my elbows and even employ my chin once or twice. Above me, Cricket’s tail happily thwump-thwumps against the pumps and gensets and machinery that fill the cramped module.
“Honey, I’m home!” I call.
This is something I’ve heard people say in holocoms. Claire laughs every time. Almost like she can imagine the two of us sharing a home together. A normal life. Planetside. As soon as I get my head above the grating, Cricket turns and licks my face. If my warthen can read minds like I think she can, she has to know how much I hate this. And yet she does it anyway. Maybe she hates me. Maybe that’s why she does it.
“No,” I tell her, warding her off with lilies, appledots, butterflaps, and three other alien varietals not listed in the archives. Cricket turns in excited circles while I hand the flowers to Claire. One of the appledots is broken and leans over like it’s given up on life.
“For me?” Claire asks. She wipes the sweat from her brow and takes the flowers, sniffs them, tries to straighten the stricken appledot.
“Yeah, and I don’t think any are toxic,” I say.
She leans in to kiss me. Her lips taste of salt and grease. “They’re beautiful. And your beacon is officially under the worst quarantine in the history of quarantines. Why don’t you take these back to the lifeboat? The last thing I need is mites getting loose in here. Or roaches.”
“The trader said they were clean,” I protest.
Claire shoots me a look. I show her the chocolate and the cheese. The look persists. Like I said, I’m not very good at this whole dating thing.
“Should I put Cricket out the airlock as well?” I ask. “She might have fleas.”
Cricket growls at me. Claire scratches the alien behind the ears and gives me that look I used to see on my CO when he gave orders that he knew contradicted both reason and his last set of orders. “Whatever damage sweet Cricket has done has been done,” she says.
Cricket turns and cocks her head at this, like she can’t imagine ever doing an ounce of damage. I leave them both and put the flowers and the rest of the contraband back in the lifeboat. When I return, Claire is wiping her hands on a rag and putting her tools away. I give her another kiss before heading up to the galley to put dinner together.
Our days are a lot like this, all the little boring bits in the holocoms between the laugh tracks. There’s a lot of anticipation that something is going to happen, something really funny or tragic, but it rarely ever does. It rarely ever does, but you can still feel it coming.
• 3 •
“On or off?” Claire asks.
It’s after dinner, and Claire and I are up by the gravity wave broadcaster, which is the business end of the
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