Banquet for the Damned
about taping me,' she says. 'I'm just a little delicate at the moment. I've not been sleeping.'
'Go on.'
'Well it's very strange. I . . . I think I could be losing my mind.' The skin across the thin bones of her face blanches, losing its honey coloured sheen, and after she speaks there follows a nervous and apologetic giggle before she dips her head. A long silence follows and Hart begins to fiddle with his beard. Finally, he smacks his lips, and rubs his hands down the front of his weathered combat trousers.
'Don't be ashamed of anything, Kerry. Just feel free to let go. I got two good ears here and a lot of experience in this field. It doesn't matter how wacky you think your dreams are, I want to hear everything you can remember about them.'
Taking careful sips from her coffee, Kerry stares across the room and beyond the far wall, her eyes unfocused, looking inward. 'Is it nightmares you study?' she says, breaking from the daze, suddenly uncomfortable with letting herself drift in front of a stranger.
'Yes, that's a significant part of the whole deal. I'm an anthropologist and I've been studying occult beliefs in primitive or isolated societies – from what we call an ethnographic perspective. I study people and why they believe in the supernatural. Not whether magic works or not, but why some communities still maintain occult practices. This took me down the avenue of primal fears in a wide range of cultures and night terrors became a by-product of my original thesis. Something I picked up along the way. It interested me and I saw my chance for original work.'
'Tell me about the nightmares,' she says, staring right at him now.
'Well, when a locale has a long tradition of superstition, and if the roots of that history are deeply entrenched in the occult, sleepers often suffer the same nightmares for generations.' He feels himself light up inside and, despite his reticence at becoming an academic bore with such a pretty girl, his enthusiasm carries him along. 'You know, the bad dreams last for years, even centuries, like a kind of echo. I've travelled to Newfoundland, South America and Africa chasing this pattern for my book. I want to collect data reflecting how, inexplicably, a haunted past can become locked, like an energy, in a specific area, and affect the sleep of even those people who are otherwise oblivious to the history of the place in which they live.'
'How do these night terrors affect people?' Kerry asks, her voice sharper.
'Well, some of the good people who have confided in me have had the same dreams since they were kids, and want to know why they go to the same place every time they close their eyes. Others are too afraid to sleep, or find their dreams affect the way they behave. In some extreme cases, well, folks do unusual things. They become volatile, or unreasonable. They can sleepwalk too.'
The girl's eyes widen and her body stiffens.
'But it's usually just the sleeping consciousness, and night terrors are a universal phenomenon. There is no need to –'
'Sleepwalk, you say,' Kerry interrupts. 'How extreme does sleepwalking get?'
'Well, it varies, from strolling around the house to incidents of amnesia. In extreme cases –' he pauses '– well, it seems to be the start of something more complicated.'
Kerry closes her eyes and covers them with a slim hand, pressing her varnished nails into her cheek, just below an inflamed scratch. He hears her say 'Shit' under her breath.
'Kerry, I'm sorry. I don't want to frighten you. Girl, that is a very unlikely scenario.'
When she removes the hand from her face her eyes shine with tears. Hart swallows. 'Listen, Kerry, I think we should start. Just lie back there on the couch and relax. If you want another drink or a smoke just holler. That's it, get comfy. Don't worry about your boots, just relax. I'm going to ask you a few questions and I want you to be as candid as you are able. I'm not an analyst, but I believe talking about it, to someone who knows what's going

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