the horizon. I did the L.A. stop-and-go boogie for a while, listening to music and trying to be patient, finally made it to the 118 east, then the 210, and cruised into the high desert northeast of the city, picking up speed as both the road and the air got clearer.
Exiting at Sunland, I hooked north again and got onto a commercial stretch of Foothill Boulevard that ran parallel to the mountains: auto parts barns, body shops, unfinished furniture outlets, and more roofers than I’d ever seen in one area.
I spotted McVine a few minutes later and turned left. The street was narrow, with grass growing down to the curb instead of sidewalks, and planted haphazardly with eucalyptus and willow. The curb grass was dry and yellow. The houses behind it were small and low, some of them no more than trailers on raised foundations.
The Rodriguez residence was on a northwest corner, a boxcar of mocha stucco with a gutterless, black composition roof and a flat, porchless face broken by three metal-sashed windows. One of the windows was blocked by a tilting sheet of lattice. The squares were broken in spots, warped in others, and a few dead branches wormed around them. A high, pink block wall enveloped the rear of the property.
I got out and walked up a hardpack lawn stippled with blemishlike patches of some sort of low-growing succulent and split by a foot-worn rut. Evelyn’s plum-colored Chevy was parked to the left of the pathway, next to a red half-ton pickup with two stickers on the bumper. One sang the praises of the Raiders, the other dared me to keep kids off drugs. A stick-on sign on the door said R AND R MASONRY.
I pressed the bell and a wasp-buzz sounded. A woman opened the door and looked at me through the smoke vining upward from a freshly lit Virginia Slim.
In her late twenties, five seven and lanky, she had dirty blond hair gathered in a high, streaked ponytail and pale skin. Slanted, dark eyes and broad cheekbones gave her a Slavic look. The rest of her features were sharp, beginning to pinch. Her shape was perfect for the hardbody era: sinewy arms, high breasts, straightedge tummy, long legs leading up to flaring hips just a little wider than a boy’s. She wore skintight, low-riding jeans and a baby-blue, sleeveless midriff top that showcased an apostrophe of a navel some obstetrician should have been mighty proud of. Her feet were bare. One of them tapped arrhythmically.
“You the doctor?” she said, in a husky voice, talking around the cigarette, just the way I’d seen Evelyn Rodriguez do.
“Dr. Delaware,” I said, and extended my hand.
She took it and smiled — amusement rather than friendliness — gave a hard squeeze, then dropped it.
“I’m Bonnie. They’re waiting for you. C’mon in.”
The living room was half the width of the boxcar and smelled like a drowned cigar. Carpeted in olive shag and paneled with knotty pine, it was darkened by drawn drapes. A long, brown corduroy sofa ran along the back wall. Above it hung a born-again fish symbol. To the left was a console TV topped with some sort of cable decoder and a VCR, and a beige velveteen recliner. On a hexagonal table, an ashtray brimmed over with butts.
The other half of the front space was a kitchen–dining area combo. Between the two rooms was an ochre-colored door. Bonnie pushed it open, letting in a lot of bright, western light, and took me down a short, shagged hall. At the end was a den, walled in grayish mock birch and backed by sliding glass doors that looked out to the backyard. More recliners, another TV, porcelain figurines on the mantel, below three mounted rifles.
Bonnie slid open a glass door. The yard was a small, flat square of scorched grass surrounded by the high pink walls. An avocado tree grew at the rear, huge and twisted. Barely out of its shade was an inflatable swimming pool, oval and bluer than anyone’s heaven. Chondra sat in it, splashing herself without enthusiasm. Tiffani was in a corner of the property,
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