Back to Bologna

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Authors: Michael Dibdin
Tags: Fiction
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one were offered you. There are so many talented and excellently qualified applicants these days, and so few vacancies. Quite often the decision comes down to a question of whom the other members of the faculty care to have to meet and deal with on a daily basis, and prickly, rebarbative individuals who like to show off their supposed wit and spirit of independence by making mock of their superiors are, to be honest, rarely anyone’s first choice. In short, I suggest that you look into the possibility of an alternative line of study more adapted to your temperament and mentality. Engineering, perhaps. Or dentistry.’
    With which he walked out, leaving the young man sitting there in silence. On Via de’Castagnoli Ugo called a taxi, which he directed to his country retreat. His original intention had been to cycle back to the nearby townhouse that he used as a place of refuge during the day and an occasional overnight bolthole, but now he felt an urge to get out of the city. Why this feeling of unease? His decision had been correct and correctly executed, excepting perhaps those last two phrases. But Mattioli had had it coming for some time. The little bastard had been provocative from the very start.
    One of Edgardo Ugo’s seminarial chestnuts was that, in our post-meaning culture, to move from the sublime to the ridiculous and vice versa no longer required even a single step, merely an alternative selection from an infinite interpretational menu. When he’d brought this line up in the opening seminar of the semester, Rodolfo had replied, ‘Excuse me,
professore
. Are you saying that if a recording of the slow movement of Mozart’s K364 is being played in the cell where a political prisoner is undergoing torture, his or her resulting experience is simply a function of consumer choice?’ Ugo had sensed that Mattioli was trouble right then and there. Knowing the Köchel catalogue number of the Sinfonia Concertante, for example. That was a leaf straight out of Ugo’s own book: awe them with your command of arcane documented minutiae, and they’ll swallow your big contentious thesis without a murmur.
    But today Mattioli had gone too far, not only proclaiming that words had meanings, but that the relationship between language and reality, although labile and demanding constant and close attention, was by its nature (!) both authentic and verifiable. ‘The fact remains that there is a real world which exists independently of any possible representation of it, and which in turn conditions any such representation,’ he had concluded, with the air of the young Luther nailing his theses to the church door.
    Edgardo had handled this arrant nonsense with his usual urbane charm, even getting a round of appreciative laughter from the other students for his learned humour when he suggested sarcastically that to invoke Giambattista Vico’s ‘
sensus communis generis humani
’ was hardly
Scienza Nuova
–more laughter–at this late date. Nevertheless, enough was enough. Standards had to be maintained and essential truths upheld. As he had told Rodolfo, it would have been dereliction of duty for him to have acted otherwise. So why did he have this slight sense of uncleanliness, as when you get a bit of meat or spinach stuck between your teeth and can’t quite remove it with your tongue?
    Twenty minutes later he was back in the spacious landscaping and clear air of his villa, set back from a secluded lane winding through the spine of hills above Monte Donato between the Reno and Sàvena rivers; a mere five kilometres from the city laid out beneath like a map, yet to all intents and purposes another world. For some reason the confrontation with Rodolfo Mattioli was still troubling him, though, so he decided to dismiss it by getting to work.
    Two hours passed, and the dusk was curdling beyond the window, before Edgardo laid down his Mont Blanc 4810 Series Limited Edition fountain pen, as thick as a stumpy but fully erect cock, on

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