social situation more uncomfortable for Sam. It turned everything you did into a performance, and always left him somewhere between tongue-tied and belligerent.
â
Iâd
like to see you do a magic trick,â Mr. Carter had prompted across the remains of dinner, in what clearly he thought was an encouraging way.
âGo
on
, Sam!â Hubert said. âThatâs what you brought it over here forâto
show
people!â
âNo!â
Sam said. âCome on, nowâI said
No!
Didnât you
hear
me?â His voice was too loud, his hand was actually shaking, and the silence after it was much too long.
Corey rescued him: âNow Sam is still learning these things. And youâve got to practice them before you do them for other people. He just needs to practice and will show us all his trick in his own time, now.â
Hubert dragged his forearm from the table, sucked his teethâhis turn to sulk.
But nothing dented Mr. Carterâs simple, irrepressible good will. âCan I ask you something seriously, though?â His dark fingers moved on the handle of his unused knife.
âI donât know.â Corey smiled. âCan you?â
âWould you please tell meâbecause I have heard this story about you two ladies so many times before, but just in snatches and fragments, so that you never know what youâre really supposed to believe and what youâre notâjust so I can tell other people when I get back to Philadelphiaâwhat
really
happened at that movie, thereâwas it six or seven years ago?â
âWhat movie?â Elsie asked.
âThat movie,â Mr. Carter said, âwhere you two got into all that trouble?â
âSix years ago?â Elsie said. âWhat movie does heââ
âOh, I know what he means,â Dr. Corey said. âArnoldââ which was Mr. Carterâs name to Corey and Elsie, but not to Hubert, Clarice, and Samââthat wasnât six years ago. That was seven, eightââ she frowned. âThat was
nine
years ago now!â
âBut . . . what happened?â
âMight as well go ahead,â Hubert said. âAfter all this time, everybody ought to know.â
âWhat movie?â Sam said. Though he knew the outlines of the tale, the fragmentariness was as much there for him as for Arnold Carterâsince, nine years ago, when Corey and Elsie had first gone up to the city, where theyâd stayed for two years before coming home, Sam had been . . . well, nine.
âThat great big movie they made, about the southâand the Ku Klux Klan and all,â Hubert said. âAbout the wonderful white south and the black devils who were raping all those white womenââ
âOh!â Elsie said. âThat awful movieâthat made everybody go out and start lynching all those people!â
âIt didnât
start
them lynching,â Corey said. âBut it certainly made them go out and lynch more.â
âWhat did you have to do with it?â Sam asked.
âWe were picketingâa peaceful picket line. With a lot of other Negroes.â
âWith a lot of other
angry
Negroes, I bet,â Hubert said. âThatâs what I heard.â
âWe
were
angry,â Dr. Corey said. âWho wouldnât be angry, at a movie like that?â
âHow did a movie make people lynch people?â Sam wanted to know.
âIt was a movie about those damned Ku Klux Klansmenââ Corey didnât use language like that and it startled Sam to hear her cuss like Louisââand told how wonderful they were and how they were protecting southern white womanhood.â
What came back to Sam was a memory of his cousin, or a woman whom his mother had called their cousin: yes, heâd been nine, eight, maybe younger, when her and her husbandâs mutilated bodies, under gray canvas, had been brought, in the
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