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gold-plated .357 Magnum and had volunteered to work for the FBI.)
Evelyn, my aunt, was the heroine of my childhood. She was always taking me places and "exposing me to things," as she called it. She took me to museums-i think we visited just about every museum in the city of New York. She turned me into a real art lover. Before i was ten, i could recognize a Van Gogh on sight, and i knew what cubism, surrealism, and abstract expressionism were. Picasso, Gauguin, Van Gogh, and Modigliani were my favorite artists. I didn't know the name of one Black artist in those days. Very few, if any, museums exhibited the work of Black artists, so i just assumed that Black people weren't too good at painting. But i learned about African art from my mother. From the time i can remember, my mother always had African sculpture in the house. It was the only kind she had. I always loved those pieces and it really annoyed me when i took art history in school and the teacher referred to African art as primitive. In fact, if the art was by anyone else but a white person, it was called primitive art.
In addition to museums, Evelyn would take me to see plays and movies, and we would experiment with all kinds of restaurants. We would go to parks, go bicycle riding, and it was Evelyn who gave me my first rowboat lesson. She was very sophisticated and knew all kinds of things. She was right up my alley because i was forever asking all kinds of questions. I wanted to know everything. She would give me a book and say, "Read this," and i would eat up that book like it was ice cream.
It was Evelyn who took me to see my first show at the Apollo. We saw Frankie Lymon and the Teenagers. I was walking on clouds. After that, as soon as i learned to ride the subway by myself, i went to the daytime shows. If my mother and my aunt had known, they would have had a fit. I guess people wondered what this little girl was doing in the Apollo all by herself, but nobody ever bothered me. I was always pretty lucky that way.
Barbara was a little girl who lived next door to us in Queens. She was my main friend and foe for quite a while. One day i saw her leaving her house wearing a white dress and a little white veil like a bride wears. Everything she had on was white, all the way down to her shoes. She even had a little white Bible in her hands. I thought she was gonna be in a Tom Thumb wedding like they have down South. So i went up to her and asked her who she was marrying. She said she was making her first communion, that she was Catholic.
Well, i became an instant convert. I wanted to wear a white dress and dress up like a bride, too. And Catholics even got out early from school on Wednesdays. I raced home to tell my mother. My mother was very permissive where religion was concerned. She gave us carte blanche to be Catholics, Baptists, Methodists, or whatever. So i started going to mass and to catechism classes on Wednesday.
The Catholic Church was like no other church i had ever been to. Down South i always went to church. But those services were rich with music and emotion. I would sit caught up in the music and watch those people who had "got happy" or "got the spirit" jumping around all over the place. I was never holy-holy, but i had liked going to church. In the Black churches that i had been in, the air was charged. The music rocked and the preacher preached and sang at the same time. People felt free to do what they needed to do. H they felt like dancing, they danced; if they felt like praying, they prayed; if they felt like screaming, they screamed; and if they felt like crying, they cried. The church was there to give them strength and to get them through the long week ahead of them. Where we lived in Queens, there was no Black church.
The Catholic Church was different. It was silent and cold. The music was terrible and you couldn't understand nine-tenths of the service. But what fascinated me was the spookiness of it. They had so much weird stuff
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