bellow. Itâs a moo.â Judith Ravenâs voice was faintly uncertain.
âItâs the sort of subdued noise,â Appleby said, âthat bulls make at night.â
âWhat utter rot.â Judith was now thoroughly alarmed. âYouâre simply preying on my irrational fears.â
âPerhaps. But during the next sixty minutesâ â Appleby spoke dispassionately â âyour irrational fears will grow. In the end theyâll be positively nightmarish. And then weâll quit. Meantime you can tell me another story â just to distract your mind.â
âI donât want to tell you a story. Iâm sleepy.â Judith suddenly spoke in a massively sleepy voice. âVery snug.â
âThen tell me what on earth should put it into your head that I was proposing to investigate the mouldering skeletons in the Raven family cupboards.â
âDonât know what youâre talking about. Comfy now.â
âAnd Iâll tell you about a Spanish sculptor â an anarchist â who built a time-bomb into a colossal group representing the Triumph of Benevolent Autarchy.â
âI donât believe it.â
âAnd I donât believe your cupboards have any skeletons at all. Except of mice and bats and spiders â if spiders have skeletons.â
âOur cupboards have got skeletons.â
âThey have not.â
âVery well. Listen.â In Judith Ravenâs voice, Appleby thought, there was an odd hint as of sudden resolution. âI was born on the thirtieth of July, nineteen hundred and dash.â
âWhat do you mean â and dash?â
âIsnât that the way stories begin? Ranulphâs always did. Nineteen hundred and dash, in the village of dash in dash-shire.â
âBut this isnât one of Ranulphâs stories. It appears to be your own.â
âAs a matter of fact, itâs a bit of both: Ranulphâs story and mine. Although Iâm not thirtyââ
âIâd be surprised if you were twenty-two.â
ââand Ranulph died in 1898. Thereâs a real date for you. Shall I go on?â
âIf you really have a story to tell â which I altogether doubt â for goodness sake do.â
âYou must understandâ â Judith Ravenâs voice as she began her story took on a measured narrative tone â âthat my brother Mark and I have lived at Dream ever since we were children. Our parents were dead, you see, and there was only Grandfather Herbert, and he lived there too. He had grown tired of the Foreign Office, or perhaps they had turned him out because he was old, so he lived on his nephew Everard, Ranulphâs eldest son, and still did madrigals and things after breakfast. Of course he was ever so much younger than his brother Ranulph. There was the bishop and several sisters and other brothers in between. I rather liked grandfather Herbert. He was dirty but terribly distinguished. I used to do him in plasticine â the grey kind, so the dirt wouldnât show.
âWell, Mark and I were kids, and Ranulph, of course, had died twenty or thirty years before, and nobody thought of him â or so you would think. Certainly nobody bought his books any more, and heâd blued all he ever made out of them, and there were heaps of Georgian and Victorian Ravens who had been distinguished in weightier jobs than romance-writing â so why should anyone bother? You canât even see his remains at Dream unless you go poking about bookcases and cupboards and bureaus; whereas the Ravens who painted and the Ravens who sculpted and the Ravens who collected rocks and fossils and stuffed animals and mediaeval armour have all left their possessions lying quite obtrusively about â as I shall do in my turn, I suppose. Well, that was how it was. So it was quite a time before Mark and I found out there really was a Ranulph Raven legend