Appalachian Elegy

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Authors: bell hooks
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inherited from white folks for whom they had worked for generations, or sometimes purchased), were content to be self-defining and self-determining even if it meant living with less. No distinctions were made between those of us who dwelled in the hills of eastern or western Kentucky. Our relatives from eastern Kentucky did not talk about themselves as Appalachians, and in western Kentucky we did not use the term; even if one lived in the hills where the close neighbors were white and hillbilly, black people did not see themselves as united with these folk, even though our habits of being and ways of thinking were more like these strangers than those of other black folks who lived in the city—especially black folks who had money and urban ways. In small cities and towns, the life of a black coal miner in western Kentucky was more similar to the life of an Eastern counterpart than different. Just as the lives of hillbilly black folks were the same whether they lived in the hills of eastern or western Kentucky.
    In the Kentucky black subcultures, folks were united with our extended kin, and our identities were more defined by labels like “country” and “backwoods.” It was not until I went away to college that I was questioned about Appalachia, about hillbilly culture, and it was always assumed by these faraway outsiders that only poor white people lived in the backwoods and in the hills. No wonder then that black folks who cherish our past, the independence that characterized our backwoods ancestors, seek to recover and restore their history, their legacy. Early on in my life I learned from those Kentucky backwoods elders, the folks whom we might now label “Appalachian,” a set of values rooted in the belief that above all elseone must be self-determining. It is the foundation that is the root of my radical critical consciousness. Folks from the backwoods were certain about two things: that every human soul needed to be free and that the responsibility of being free required one to be a person of integrity, a person who lived in such a way that there would always be congruency between what one thinks, says, and does.
    These ancestors had no interest in conforming to social norms and manners that made lying and cheating acceptable. More often than not, they believed themselves to be above the law whenever the rules of so-called civilized culture made no sense. They farmed, fished, hunted, and made their way in the world. Sentimental nostalgia does not call me to remember the worlds they invented. It is just a simple fact that without their early continued support for dissident thinking and living, I would not have been able to hold my own in college and beyond when conformity promised to provide me with a sense of safety and greater regard. Their “Appalachian values,” imprin ted on my consciousness as core truths I must live by, provided and continue to provide me with the tools I needed and need to survive whole in a postmodern world.
    Living by those values, living with integrity, I am able to return to my native place, to an Appalachia that is no longer silent about its diversity or about the broad sweep of its influence. While I do not claim an identity as Appalachian, I do claim a solidarity, a sense of belonging, that makes me one with the Appalachian past of my ancestors: black, Native American, white, all “people of one blood” who made homeplace in isolated landscapes where they could invent themselves, where they could savor a taste of freedom.
    In my latest collection of essays,
Writing Beyond Race
, I meditate for page after page on the issue of where it is black folk may go to be free of the category of race. Ironically, the segregated world of my Kentucky childhood was the place where I lived beyond race. Living my early childhood in the isolated hills of Kentucky, I madea place for myself in nature there—roaming the hills, walking the fields hidden in hollows

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