something more, but he didnât. Loretta pulled back and busied herself watching the crew add some snow around a park bench. Spencer Tracy shifted toward her again.
âI saw Midnight Mary ,â he said softly.
Following his cue, Loretta leaned in and whispered in his ear, âHow did I do?â
âYou killed every bum in the picture.â
âIt was in the script.â
âWhat are you going to do to me?â he teased.
âDid you read the script?â
âYeah.â
âI save you in the end.â
âTough job. Are you up for it?â
âYouâll soon find out. Weâre starting with scene one. Whereâs your tuxedo?â
âTheyâre pressing it.â
âWe start at seven.â
âIâll be ready.â
He stood next to her, rocking back and forth on his feet and up on his toes. She didnât know what else to say, and he said nothing. She half smiled, looking straight ahead, thinking, Something is wrong with this poor man. He had to be the most socially awkward actor she had ever met.
Spencer must have sensed her feelings, because he turned and walked away, leaving her standing alone. She watched the oddball as he wove back through the crew, unrecognized.
âHe looks like my uncle,â the wardrobe assistant commented. âIâm all Irish on my motherâs side.â
âMr. Tracy is as Irish as a boiled potato.â LaWanda shrugged. âBut thereâs something about him, donât you think?â
âOh, yeah. Something,â Loretta said. She was too polite to say what she was really thinking.
âOkay, Sis, this is where you work.â
A production assistant, pencil-thin with a mustache to match, showed Alda the mail room, a dusty, ramshackle closet with a broken-down worktable and a few metal folding chairs placed around it.
âYou sit there and you answer the mail.â He put boxes on the worktable along with a stack of envelopes. âYou can read âem or not. If one of âem makes you cry, you put it to the side for Miss Young. She enjoys a weepie. She likes to peruse a few here and there, but donât crush her with a bunch. Everybody, everybody that writes in gets a photograph. Columbia front office orders. The audience pays our salaries when they buy tickets, donât forget it.â
âI wonât,â Alda promised. She looked at the windows, closed shut. The production assistant read her mind and opened them.
âItâs hot in here.â
âThank you,â Alda said.
He hoisted an oversize burlap bag full of mail onto the table. âMiss Young is popular.â
âThat is a lot of mail.â Alda wondered how she could possibly answer all the letters.
âThereâs thirteen more bags where this one came from.â
Alda opened the box on the table. A black-and-white photograph of her boss in a voile dress, with a matching umbrella shading her from the sun, was duplicated in a stack in the hundreds.
âHereâs Miss Youngâs autograph stamp.â The young man showed Alda how to stamp Lorettaâs signature on the photograph. âEasy peasy. Can you handle it? Stamp the photo, mail it to the return address. Write neatly. The boys in the front office donât like returns. Costs them money.â
âYes, sir.â
The assistant left, leaving Alda alone with the bundles of letters. She opened the first one, with the return address Red Lodge, Montana. Alda began to read the story of a young woman whose husband had left her with three young children. She came upon the sentence âIf you could please send me five dollars, it would go a long way to help.â
Alda placed the paper off to the side, creating a stack for charity, and opened another. She took a deep breath, slipped off the shoes that Polly Ann Young had handed down to her, and settled in to read. This one made her laugh. It was from a man who had invented
Gerbrand Bakker
Shadonna Richards
Martin Kee
Diane Adams
Sarah Waters
Edward Lee
Tim Junkin
Sidney Sheldon
David Downing
Anthony Destefano