All Hallows' Eve

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Authors: Charles Williams
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given orders that Miss Betty was not to be disturbed, it was very unlikely that anybody would disturb her. Between his two later calls he put in another. He knew that Sir Bartholomew had some small property in Hampshire, just as Lady Wallingford owned a house somewhere in Yorkshire, and he claimed to be speaking on behalf of the Hampshire County Council on some business of reconstruction. He asked if Sir Bartholomew had returned from Moscow or if not, when he was likely to return. The answer was that nothing could be said of Sir Bartholomew’s movements. He suggested that Lady Wallingford might be asked. The answer was that that would be useless; instructions had been issued that no other answer could be given. Jonathan at last gave up the telephone and sat down to write letters.
    He wrote to Betty; he wrote to Lady Wallingford. He offered, after a slight struggle with his admiration of himself, to suppress the picture; the admiration just managed to substitute “suppress” for “destroy.” It was still worth while trying to save Betty and the picture too. But he knew that if he were driven far enough, he would consent to its destruction; though he could not quite avoid envisaging another picture in which something much more drastic should be deliberately done about Father Simon. He succeeded, however, in keeping this on the outskirts of his mind and even in mentioning to himself the word “dishonesty.” His virtue, with some difficulty, maintained itself in the uncertain center of his mind. He told Betty he would be in his flat all the next day, in case she could ring up or indeed come. He proposed an aunt’s house in Tunbridge Wells as a shelter for her. He told her that he would write to Sir Bartholomew through the War Office. He was perfectly well aware that Lady Wallingford would read the letter, but it told her nothing she could not have guessed, and it would at least make clear that he had other channels of communication with the Air Marshal.
    He put off going to the post with these letters until almost midnight, in case by any wild chance Betty should ring up. But at last he gave up hope, took the letters, went to the door, and as he opened it switched out the light. At that moment the front door bell rang. He caught his breath and almost ran to it. He opened it; it was not she. In the dim light of the landing he saw a tall figure, apparently wrapped in some kind of cloak, and in his fierce disappointment he almost banged the door shut. But as his hand tightened on it, a voice said, “Mr. Drayton?”
    â€œYes?” Jonathan said morosely. The voice was urbane, a little husky, and had the very slightest foreign accent which Jonathan did not at once recognize. He peered forward a little to see the face, but it was not easy, even though the caller wore no hat. The voice continued. “Lady Wallingford has been with me tonight to tell me of a painting. I am Simon the Clerk.”
    â€œOh!” said Jonathan, “yes. I see.… Look, won’t you come in?” He had been quite unprepared for this, and as he ushered his visitor into the studio, his only feeling was one of extreme gratitude that in a moment of peevishness he had flung the covering again over the canvas. It would have been awkward to show Simon straight in at it. He could not quite think why he had come. It must, of course, be about the painting, but unless to see if he agreed with Lady Wallingford … and it would be odd to be as urgent as all that, especially as he disliked being painted. Still, it would come out. He was very much on his guard, but as he closed the door he said, as friendlily as he could, “Do sit down. Have a drink?”
    â€œNo, thank you,” Simon answered. He remained standing with his eyes on the covered canvas. He was a tall man, with a smooth mass of gray—almost white—hair; his head was large; his face thin, almost emaciated. The face had about it a hint of

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